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Unsayable Music : Six Reflections on Musical Semiotics, Electroacoustic and Digital Music /
Profound theoretical and philosophical approach to contemporary music.Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C...
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
[2014]
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 035 | |a (OCoLC)887507875 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Chagas, Paulo C., |e author. | |
| 245 | 1 | 0 | |a Unsayable Music : |b Six Reflections on Musical Semiotics, Electroacoustic and Digital Music / |c Paulo C. Chagas ; cover design, Friedemann Vervoort. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c [2014] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©[2014] | |
| 300 | |a 1 online resource (300 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 500 | |a APPENDIX II WDR Studio of Electronic Music: Studio equipment used from 1990 to 2000Bibliography. | ||
| 500 | |a Description based upon print version of record. | ||
| 505 | 0 | |a Colofon; Foreword; Introduction; Chapter 1 Musical Understanding: Wittgenstein, Ethics, and Aesthetics; Chapter 2 Spectral Semiotics: Sound, Temporality, and Affect in Chopin; Chapter 3 III -- Communication and Meaning: Music as Social System; Chapter 4 The Creativity of Electroacoustic and Digital Music; Chapter 5 The Temple of Electronic Music: The Electronic Music Studio of Cologne in the 1990s1; Chapter 6 Audiovisual and Multimedia Composition: The Relationship between Medium and Form; APPENDIX I WDR Studio of Electronic Music: Works produced from 1987 to 2000. | |
| 520 | |a Profound theoretical and philosophical approach to contemporary music.Unsayable Music presents theoretical, critical and analytical reflections on key topics of contemporary music including acoustic, electroacoustic and digital music, and audiovisual and multimedia composition. Six essays by Paulo C. Chagas approaching music from different perspectives such as philosophy, sociology, cybernetics, musical semiotics, media, and critical studies. Chagas's practical experience, both as a composer of contemporary music and sound director of the Electronic Music Studio of Cologne, nourishes his obser. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 610 | 2 | 7 | |a Westdeutscher Rundfunk. |b Studio für Elektronische Musik. |2 fast |0 (OCoLC)fst00662277 |
| 610 | 2 | 0 | |a Westdeutscher Rundfunk. |b Studio für Elektronische Musik. |
| 650 | 7 | |a Music |x Semiotics. |2 fast |0 (OCoLC)fst01030442 | |
| 650 | 7 | |a Music |x Philosophy and aesthetics. |2 fast |0 (OCoLC)fst01030408 | |
| 650 | 7 | |a Electronic music. |2 fast |0 (OCoLC)fst00907363 | |
| 650 | 6 | |a Semiotique et musique. | |
| 650 | 6 | |a Musique |x Philosophie et esthetique. | |
| 650 | 0 | |a Music |x Semiotics. | |
| 650 | 0 | |a Music |x Philosophy and aesthetics. | |
| 650 | 0 | |a Electronic music |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Vervoort, Friedemann, |e cover designer. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/34436/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2014 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2014 Complete | ||