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MdBmJHUP |
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861030t19871987nju o 00 0 eng d |
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|a 9781400858453
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|z 9780691067056
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|z 9780691609607
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|z 9780691637853
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|a (OCoLC)889253967
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Laden, Marie-Paule,
|d 1946-
|e author.
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|a Self-Imitation in the Eighteenth-Century Novel /
|c Marie-Paule Laden.
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|a Princeton, New Jersey :
|b Princeton University Press,
|c [1987]
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©[1987]
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|a 1 online resource (205 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Princeton legacy library
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|t Frontmatter --
|t CONTENTS --
|t ACKNOWLEDGMENTS --
|t NOTE ON TRANSLATIONS --
|t INTRODUCTION --
|t CHAPTER ONE. Gil Bias and Moll Flanders Imitation, Disguise, and Mask --
|t CHAPTER TWO. Pamela, La Vie de Marianne, and Le Paysan parvenu: Self-Imitation-The Appearance of Reality --
|t CHAPTER THREE. Tristram Shandy Imitation as Paradox and Joke --
|t CONCLUSION --
|t APPENDIX --
|t BIBLIOGRAPHY --
|t INDEX --
|t Backmatter.
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|a To the linguistic inquiry associated with Benveniste and to the current preoccupation with the nature of writing. Professor Laden joins a more philosophical probing of the nature of the self. At issue is how language serves the self and whether its role is one of presentation, representation, or generation. The author argues that the self in the works she analyzes comes to appear'' either as a void or as a series of related verbal constructs never wholly adequate or unified. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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|a In English.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Self in literature.
|2 fast
|0 (OCoLC)fst01111462
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650 |
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7 |
|a Imitation in literature.
|2 fast
|0 (OCoLC)fst00967690
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650 |
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7 |
|a French fiction.
|2 fast
|0 (OCoLC)fst00934302
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650 |
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7 |
|a First person narrative.
|2 fast
|0 (OCoLC)fst00925781
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650 |
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7 |
|a Fiction
|x Technique.
|2 fast
|0 (OCoLC)fst00923755
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650 |
|
7 |
|a English fiction.
|2 fast
|0 (OCoLC)fst00910817
|
650 |
|
7 |
|a Comparative literature
|x French and English.
|2 fast
|0 (OCoLC)fst01750849
|
650 |
|
7 |
|a Comparative literature
|x English and French.
|2 fast
|0 (OCoLC)fst01750846
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650 |
|
7 |
|a LITERARY CRITICISM
|x General.
|2 bisacsh
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650 |
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6 |
|a Roman anglais
|y 18e siecle
|x Histoire et critique.
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650 |
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6 |
|a Imitation (Litterature)
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650 |
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6 |
|a Moi (Psychologie) dans la litterature.
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650 |
|
6 |
|a Recits à la premiere personne.
|
650 |
|
6 |
|a Roman français
|y 18e siecle
|x Histoire et critique.
|
650 |
|
0 |
|a Fiction
|x Technique.
|
650 |
|
0 |
|a Comparative literature
|x English and French.
|
650 |
|
0 |
|a Comparative literature
|x French and English.
|
650 |
|
0 |
|a English fiction
|y 18th century
|x History and criticism.
|
650 |
|
0 |
|a Imitation in literature.
|
650 |
|
0 |
|a Self in literature.
|
650 |
|
0 |
|a First person narrative.
|
650 |
|
0 |
|a French fiction
|y 18th century
|x History and criticism.
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/34346/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement III
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945 |
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|a Project MUSE - Archive Literature Supplement III
|