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Renaissance Perspectives in Literature and the Visual Arts /

Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a clo...

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Detalles Bibliográficos
Autor principal: Roston, Murray (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, [1987]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Roston, Murray,  |e author. 
245 1 0 |a Renaissance Perspectives in Literature and the Visual Arts /   |c Murray Roston. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c [1987] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[1987] 
300 |a 1 online resource (400 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Princeton legacy library 
505 0 0 |t Frontmatter --  |t CONTENTS --  |t ACKNOWLEDGMENTS --  |t LIST OF ILLUSTRATIONS --  |t INTRODUCTION --  |t EARLY RENAISSANCE --  |t CHAPTER I. The Pilgrimage to Canterbury --  |t CHAPTER 2. Hierarchy in the Mystery Plays --  |t HIGH RENAISSANCE --  |t CHAPTER 3. The Ideal and the Real --  |t CHAPTER 4. Spenser and the Pagan Gods --  |t CHAPTER 5. A Kingdom for a Stage --  |t CHAPTER 6. Shakespeare's Artistic Allegiance --  |t MANNERISM AND CLASSICISM --  |t CHAPTER 7. Varieties of Seventeenth-Century Prose --  |t CHAPTER 8. The World as Anagram: The Poetry of George Herbert --  |t NOTES --  |t INDEX 
520 |a Roston demonstrates that what emerges is not a fixed or monolithic pattern for each generation but a dynamic series of responses to shared challenges. The book relates leading English writers and literary modes to contemporary developments in architecture, painting, and sculpture, exploring by a close reading of the texts and the artistic works the insights such comparison offers. Originally published in 1987. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
588 |a Description based on print version record. 
650 7 |a Visual perception in literature.  |2 fast  |0 (OCoLC)fst01168077 
650 7 |a Renaissance.  |2 fast  |0 (OCoLC)fst01094518 
650 7 |a Perspective.  |2 fast  |0 (OCoLC)fst01058877 
650 7 |a English literature  |x Middle English.  |2 fast  |0 (OCoLC)fst01710961 
650 7 |a English literature  |x Early modern.  |2 fast  |0 (OCoLC)fst01710960 
650 7 |a Creation (Literary, artistic, etc.)  |2 fast  |0 (OCoLC)fst00882393 
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650 7 |a ART  |x History  |x General.  |2 bisacsh 
650 7 |a linear perspective (technique)  |2 aat 
650 7 |a perspective (technique)  |2 aat 
650 7 |a Renaissance.  |2 aat 
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650 6 |a Renaissance. 
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650 6 |a Perception visuelle dans la litterature. 
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650 0 |a English literature  |y Early modern, 1500-1700  |x History and criticism. 
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945 |a Project MUSE - Archive History Supplement III