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900529t19911991nju o 00 0 eng d |
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|a 9781400861767
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|z 9780691637198
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|z 9780691608808
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|z 9780691068336
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|a (OCoLC)889253152
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|a MdBmJHUP
|c MdBmJHUP
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|a Hodgdon, Barbara,
|d 1932-2018,
|e author.
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|a The End Crowns All :
|b Closure and Contradiction in Shakespeare's History /
|c Barbara Hodgdon.
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|a Princeton, New Jersey :
|b Princeton University Press,
|c [1991]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©[1991]
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|a 1 online resource (336 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|t Frontmatter --
|t CONTENTS --
|t ILLUSTRATIONS --
|t PREFACE --
|t CHAPTER 1. "Chorus to This History" --
|t CHAPTER 2. Fashioning Obedience: King John's "True Inheritors" --
|t CHAPTER 3. Enclosing Contention: 1, 2, and 3 Henry VI --
|t CHAPTER 4. "The Coming On of Time": Richard III --
|t CHAPTER 5. "If I Turn Mine Eyes upon Myself": Richard II --
|t CHAPTER 6. "Let the End Try the Man": 1 and 2 Henry IV --
|t CHAPTER 7. "A Full and Natural Close, Like Music": Henry V --
|t CHAPTER 8. Uncommon Women and Others: Henry VIII`s "Maiden Phoenix" --
|t CHAPTER 9. "No Epilogue, I Pray You" --
|t NOTES --
|t INDEX.
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|a In this bold reconceptualization of Shakespeare's histories as plays that ultimately generate and seek to legitimize new kings, Barbara Hodgdon examines how closure contests as well as celebrates power relations dominant in late Elizabethan and early Jacobean society--particularly those between sovereign and subjects. Taking a broad view of closure as a developing process in which narrative structures, generic signs, and rhetorical conventions play contributory, and often contradictory, roles, she also considers how theatrical representations interpret, or reinterpret, closural features to recuperate and redirect their social energies. By giving special emphasis to theatrical reproduction as a form of textuality and to the intertextual relations between drama and other forms of history writing, Hodgdon situates performance as a type of new historicism and shows how theatrical productions, like critical discourse, participate in cultural work. Through a study of playtexts and selected performance texts, she negotiates between the critical and theatrical guises of Shakespeare to assess how past and present-day theatrical practice has appropriated his work to serve particular institutional and social practices. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905.
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|a In English.
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|a Description based on print version record.
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600 |
1 |
7 |
|a Shakespeare, William,
|d 1564-1616.
|2 fast
|0 (OCoLC)fst00029048
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600 |
1 |
0 |
|a Shakespeare, William,
|d 1564-1616
|x Histories.
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650 |
|
7 |
|a Literature and history.
|2 fast
|0 (OCoLC)fst01000077
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650 |
|
7 |
|a Literature.
|2 fast
|0 (OCoLC)fst00999953
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650 |
|
7 |
|a Kings and rulers in literature.
|2 fast
|0 (OCoLC)fst00987732
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650 |
|
7 |
|a Historiography.
|2 fast
|0 (OCoLC)fst00958221
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650 |
|
7 |
|a Historical drama, English.
|2 fast
|0 (OCoLC)fst00957929
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650 |
|
7 |
|a Contradiction in literature.
|2 fast
|0 (OCoLC)fst00877043
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650 |
|
7 |
|a Closure (Rhetoric)
|2 fast
|0 (OCoLC)fst00864659
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650 |
|
7 |
|a Chronicle plays of William Shakespeare.
|2 fast
|0 (OCoLC)fst01352290
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650 |
|
7 |
|a LITERARY CRITICISM
|x European
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
|
7 |
|a DRAMA
|x English, Irish, Scottish, Welsh.
|2 bisacsh
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650 |
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6 |
|a Conclusion (Litterature)
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650 |
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6 |
|a Contradiction dans la litterature.
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650 |
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6 |
|a Rois et souverains dans la litterature.
|
650 |
|
6 |
|a Litterature et histoire
|z Grande-Bretagne.
|
650 |
|
6 |
|a Theâtre historique anglais
|x Histoire et critique.
|
650 |
|
0 |
|a Closure (Rhetoric)
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650 |
|
0 |
|a Contradiction in literature.
|
650 |
|
0 |
|a Kings and rulers in literature.
|
650 |
|
0 |
|a Literature and history
|z Great Britain.
|
650 |
|
0 |
|a Historical drama, English
|x History and criticism.
|
651 |
|
7 |
|a Great Britain.
|2 fast
|0 (OCoLC)fst01204623
|
651 |
|
6 |
|a Grande-Bretagne
|x Histoire
|y 1066-1687
|x Historiographie.
|
651 |
|
0 |
|a Great Britain
|x In literature.
|
651 |
|
0 |
|a Great Britain
|x History
|y 1066-1687
|x Historiography.
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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4 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/34325/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement III
|
945 |
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|a Project MUSE - Archive Literature Supplement III
|