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The End Crowns All : Closure and Contradiction in Shakespeare's History /

In this bold reconceptualization of Shakespeare's histories as plays that ultimately generate and seek to legitimize new kings, Barbara Hodgdon examines how closure contests as well as celebrates power relations dominant in late Elizabethan and early Jacobean society--particularly those between...

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Detalles Bibliográficos
Autor principal: Hodgdon, Barbara, 1932-2018 (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, [1991]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Hodgdon, Barbara,  |d 1932-2018,  |e author. 
245 1 4 |a The End Crowns All :   |b Closure and Contradiction in Shakespeare's History /   |c Barbara Hodgdon. 
264 1 |a Princeton, New Jersey :  |b Princeton University Press,  |c [1991] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©[1991] 
300 |a 1 online resource (336 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |t Frontmatter --  |t CONTENTS --  |t ILLUSTRATIONS --  |t PREFACE --  |t CHAPTER 1. "Chorus to This History" --  |t CHAPTER 2. Fashioning Obedience: King John's "True Inheritors" --  |t CHAPTER 3. Enclosing Contention: 1, 2, and 3 Henry VI --  |t CHAPTER 4. "The Coming On of Time": Richard III --  |t CHAPTER 5. "If I Turn Mine Eyes upon Myself": Richard II --  |t CHAPTER 6. "Let the End Try the Man": 1 and 2 Henry IV --  |t CHAPTER 7. "A Full and Natural Close, Like Music": Henry V --  |t CHAPTER 8. Uncommon Women and Others: Henry VIII`s "Maiden Phoenix" --  |t CHAPTER 9. "No Epilogue, I Pray You" --  |t NOTES --  |t INDEX. 
520 |a In this bold reconceptualization of Shakespeare's histories as plays that ultimately generate and seek to legitimize new kings, Barbara Hodgdon examines how closure contests as well as celebrates power relations dominant in late Elizabethan and early Jacobean society--particularly those between sovereign and subjects. Taking a broad view of closure as a developing process in which narrative structures, generic signs, and rhetorical conventions play contributory, and often contradictory, roles, she also considers how theatrical representations interpret, or reinterpret, closural features to recuperate and redirect their social energies. By giving special emphasis to theatrical reproduction as a form of textuality and to the intertextual relations between drama and other forms of history writing, Hodgdon situates performance as a type of new historicism and shows how theatrical productions, like critical discourse, participate in cultural work. Through a study of playtexts and selected performance texts, she negotiates between the critical and theatrical guises of Shakespeare to assess how past and present-day theatrical practice has appropriated his work to serve particular institutional and social practices. Originally published in 1991. The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These paperback editions preserve the original texts of these important books while presenting them in durable paperback editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. 
546 |a In English. 
588 |a Description based on print version record. 
600 1 7 |a Shakespeare, William,  |d 1564-1616.  |2 fast  |0 (OCoLC)fst00029048 
600 1 0 |a Shakespeare, William,  |d 1564-1616  |x Histories. 
650 7 |a Literature and history.  |2 fast  |0 (OCoLC)fst01000077 
650 7 |a Literature.  |2 fast  |0 (OCoLC)fst00999953 
650 7 |a Kings and rulers in literature.  |2 fast  |0 (OCoLC)fst00987732 
650 7 |a Historiography.  |2 fast  |0 (OCoLC)fst00958221 
650 7 |a Historical drama, English.  |2 fast  |0 (OCoLC)fst00957929 
650 7 |a Contradiction in literature.  |2 fast  |0 (OCoLC)fst00877043 
650 7 |a Closure (Rhetoric)  |2 fast  |0 (OCoLC)fst00864659 
650 7 |a Chronicle plays of William Shakespeare.  |2 fast  |0 (OCoLC)fst01352290 
650 7 |a LITERARY CRITICISM  |x European  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 7 |a DRAMA  |x English, Irish, Scottish, Welsh.  |2 bisacsh 
650 6 |a Conclusion (Litterature) 
650 6 |a Contradiction dans la litterature. 
650 6 |a Rois et souverains dans la litterature. 
650 6 |a Litterature et histoire  |z Grande-Bretagne. 
650 6 |a Theâtre historique anglais  |x Histoire et critique. 
650 0 |a Closure (Rhetoric) 
650 0 |a Contradiction in literature. 
650 0 |a Kings and rulers in literature. 
650 0 |a Literature and history  |z Great Britain. 
650 0 |a Historical drama, English  |x History and criticism. 
651 7 |a Great Britain.  |2 fast  |0 (OCoLC)fst01204623 
651 6 |a Grande-Bretagne  |x Histoire  |y 1066-1687  |x Historiographie. 
651 0 |a Great Britain  |x In literature. 
651 0 |a Great Britain  |x History  |y 1066-1687  |x Historiography. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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945 |a Project MUSE - Archive Literature Supplement III