The Body in the Mirror : Shapes of History in Italian Cinema

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This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national c...

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Detalles Bibliográficos
Autor principal: Dalle Vacche, Angela
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton : Princeton University Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Motion pictures.
Italians > Ethnic identity.
PERFORMING ARTS > Reference.
PERFORMING ARTS > Film & Video > History & Criticism.
Cinema > Italie > Histoire.
Motion pictures > Italy > History.
Italy.
Italy > In motion pictures.
History.
Electronic books.
Acceso en línea:Texto completo

MARC

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020 |z 9780691609225 
020 |z 9780691055664 
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035 |a (OCoLC)889252561 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Dalle Vacche, Angela. 
245 1 4 |a The Body in the Mirror :   |b Shapes of History in Italian Cinema 
264 1 |a Princeton :  |b Princeton University Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2014. 
300 |a 1 online resource (330 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Princeton Legacy Library 
500 |a Cover; Contents. 
505 0 0 |t Frontmatter --  |t Contents --  |t Figures --  |t Acknowledgments --  |t Introduction: The Body in the Mirror --  |t Chapter One. Fascism before World War I, after World War I, and after World War II --  |t Chapter Two. Fascism after May 1968 --  |t Chapter Three. The Risorgimento before World War II --  |t Chapter Four. The Risorgimento after World War II --  |t Chapter Five. The Risorgimento after May 1968 --  |t Chapter Six. The Resistance after World War II and after May 1968 --  |t Chapter Seven. Antifascism after May 1968 --  |t Conclusion: Nouvelle Histoire, Italian Style --  |t Bibliography --  |t Index 
520 |a This rich, wide-ranging book explores Italy's national film style by relating it closely to politics and to the historicist thought of Croce, Gentile, and Gramsci. Here is a new kind of film history--a nonlinear, intertextual approach that confronts the total story of the growth of a national cinema while challenging the traditional formats of general histories and period studies. Examining Italian silent films of the fascist era through neorealism to modernist filmmaking after May 1968, Angela Dalle Vacche reveals opera and the commedia dell'arte to be the strongest influences. As she pres. 
588 |a Description based on print version record. 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Italians  |x Ethnic identity.  |2 fast  |0 (OCoLC)fst00980757 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 6 |a Cinema  |z Italie  |x Histoire. 
650 0 |a Italians  |x Ethnic identity. 
650 0 |a Motion pictures  |z Italy  |x History. 
651 7 |a Italy.  |2 fast  |0 (OCoLC)fst01204565 
651 0 |a Italy  |x In motion pictures. 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/34232/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III 

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