Cargando…
The Theory of the Arts /
In a systematic overview of classical and modern contributions to aesthetics, Professor Sparshott argues that all four lines of theory, and no others, are necessary to coherent thinking about art.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, New Jersey :
Princeton University Press,
[1982]
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_33953 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905043557.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 840426t19821982nju o 00 0 eng d | ||
| 010 | |z 82005333 | ||
| 020 | |a 9781400857012 | ||
| 020 | |z 9780691641881 | ||
| 020 | |z 9780691072661 | ||
| 020 | |z 9780691614229 | ||
| 020 | |z 9780691101309 | ||
| 035 | |a (OCoLC)889251084 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Sparshott, Francis Edward, |d 1926-2015, |e author. | |
| 245 | 1 | 4 | |a The Theory of the Arts / |c Francis Sparshott. |
| 264 | 1 | |a Princeton, New Jersey : |b Princeton University Press, |c [1982] | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©[1982] | |
| 300 | |a 1 online resource (726 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | 0 | |t Frontmatter -- |t PREFACE -- |t CONTENTS -- |t LIST OF ABBREVIATIONS -- |t I. INTRODUCTION -- |t PART I. ARTS -- |t II. THE CLASSICAL LINE 1: ARTS -- |t III. THE CLASSICAL LINE 2: ARTS OF DISENGAGED COMMUNICATION -- |t IV. THE CLASSICAL LINE 3: ARTS OF BEAUTY -- |t V. THE CLASSICAL LINE 4: ARTS OF IMAGINATION -- |t VI. THE CLASSICAL LINE 5: WHAT WORKS OF ART ARE -- |t VII. THE CLASSICAL LINE 6: WHAT WORKS OF ART ARE LIKE -- |t VIII. THE CLASSICAL LINE 7: THE CRITICAL FUNCTION -- |t PART II. ART -- |t X. THE IDEA OF ART -- |t XI. THE EXPRESSIVE LINE 1: ART AS EXPRESSION -- |t XII. THE EXPRESSIVE LINE 2: ARTS, WORKS, ARTISTS -- |t XIII. THE MYSTIC LINE -- |t XIV. THE PURIST LINE -- |t XV. CONCLUSION -- |t APPENDIX A. AESTHETIC THIS AND AESTHETIC THAT -- |t APPENDIX B. KINDS OF ART -- |t APPENDIX C. "GOOD" -- |t NOTES -- |t BIBLIOGRAPHIC KEY TO WORKS CITED -- |t INDEX |
| 520 | |a In a systematic overview of classical and modern contributions to aesthetics, Professor Sparshott argues that all four lines of theory, and no others, are necessary to coherent thinking about art.Originally published in 1982.The Princeton Legacy Library uses the latest print-on-demand technology to again make available previously out-of-print books from the distinguished backlist of Princeton University Press. These editions preserve the original texts of these important books while presenting them in durable paperback and hardcover editions. The goal of the Princeton Legacy Library is to vastly increase access to the rich scholarly heritage found in the thousands of books published by Princeton University Press since its founding in 1905. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Arts |x Philosophy. |2 fast |0 (OCoLC)fst00817787 | |
| 650 | 7 | |a Aesthetics. |2 fast |0 (OCoLC)fst00798702 | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x General. |2 bisacsh | |
| 650 | 0 | |a Aesthetics. | |
| 650 | 0 | |a Arts |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/33953/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Global Cultural Studies Supplement III | ||