Believing in Opera /

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The staging of opera has become immensely controversial over the last twenty years. Tom Sutcliffe here offers an engaging and far-reaching book about opera performance and interpretation. This work is a unique tribute to the most distinctive and adventurous achievements in the theatrical interpretat...

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Detalles Bibliográficos
Autor principal: Sutcliffe, Tom (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, New Jersey : Princeton University Press, [1996]
Colección:Book collections on Project MUSE.
Temas:
Opera.
Musical theater.
MUSIC > Printed Music > Vocal.
MUSIC > Lyrics.
MUSIC > Instruction & Study > Voice.
MUSIC > Genres & Styles > Opera.
Theâtre musical.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Frontmatter
  • Contents
  • Acknowledgments
  • Foreword / Epstein, Matthew A.
  • 1. Believing in opera
  • 2. Peter Brook and theatrical opera
  • 3. Theory of interpretation
  • 4. A repertoire of classics
  • 5. The design matrix
  • 6. Patrice Chereau: revolutionary classicism
  • 7. Ruth Berghaus: Marx, feminism and the absurd
  • 8. David Aiden: expressionist shock
  • 9. Peter Sellars: Americanizing everything
  • 10. Richard Jones: burlesque profundities
  • 11. Graham Vick: neo-realism and emotion
  • 12. Albery, Pimlott, Cairns: British expressionism
  • 13. A line of renewal: from Hall to Pountney
  • 14. Brian McMaster's eclectic imports
  • 15. Frankfurt and after: from Neuenfels to Decker
  • 16. 21st-century opera
  • going for a song
  • Appendix: Bühnenreform (Theatre Reform) / Roller, Alfred
  • Postscript
  • Index

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