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MdBmJHUP |
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20230905043519.0 |
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140719s2014 nju o 00 0 eng d |
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|a 9781400861255
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|z 9780691607115
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|z 9780691635743
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|z 9780691055701
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|a (OCoLC)889253513
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|a MdBmJHUP
|c MdBmJHUP
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|a Rimer, J. Thomas.
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|a Culture and Identity :
|b Japanese Intellectuals during the Interwar Years
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|a Princeton :
|b Princeton University Press,
|c 2014.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2014.
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|a 1 online resource (320 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Princeton Legacy Library
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|a Cover; Contents; Preface ; Part I: The Move Inward; 1. Abe Jirō and the Diary of Santarō; 2. Kurata Hyakuzō and the Origins of Love and Understanding; 3. Taishō Culture and the Problem of Gender Ambivalence; Part II: Culture and Society; 4. Sociology and Socialism in the Interwar Period; 5. Tsuchida Kyōson and the Sociology of the Masses; 6. Disciplinizing Native Knowledge and Producing Place: Yanagita Kunio, Origuchi Shinobu, Takata Yasuma; Part III: Marxism and Cultural Criticism; 7. Marxism Addresses the Modern: Nakano Shigeharu's Reproduction of Taishō Culture.
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|a 8. ""Credo Quia Absurdum"": Tenko and the Prisonhouse of Language9. Ikkoku Shakai-Shugi: Sano Manabu and the Limits of Marxism as Cultural Criticism; Part IV: Japan in Asia; 10. Nitobe Inazō: From World Order to Regional Order; 11. A Vast and Grave Task: Interwar Buddhist Studies as an Expression of Japan's Envisioned Global Role; 12. A Turning in Taishō: Asia and Europe in the Early Writings of Watsuji Tetsurō; Part V: Art and the Concept of Culture; 13. Kuki Shūzō and the Structure of Iki; 14. Natsume Sōseki and the Development of Modern Japanese Art.
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|a 15. Yūgen and Erhabene: Ōnishi Yoshinori's Attempt to Synthesize Japanese and Western AestheticsContributors; Index.
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|a This collection of essays represents the first attempt in this country to examine systematically the nature and development of modern Japanese self-consciousness as expressed through culture. The essays reveal eloquently the extent to which important aspects of Japanese intellectual life in the early twentieth century were inspired by European models of cultural criticism, ranging from Kant and Hegel to Nietzsche, Marx, Durkheim, and Bergson. Implicitly comparative, this collection raises the question whether ""late"" industrialization and related processes call forth cultural convergence).
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|a Description based on print version record.
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651 |
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|a Japan.
|2 fast
|0 (OCoLC)fst01204082
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|a Japon
|x Vie intellectuelle
|y 20e siecle.
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|a Japan
|x Intellectual life
|y 20th century.
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650 |
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|a Intellectual life.
|2 fast
|0 (OCoLC)fst00975769
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650 |
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|a SOCIAL SCIENCE
|x Popular Culture.
|2 bisacsh
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|a POLITICAL SCIENCE
|x Public Policy
|x Cultural Policy.
|2 bisacsh
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650 |
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|a SOCIAL SCIENCE
|x Anthropology
|x Cultural.
|2 bisacsh
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/33324/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement III
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945 |
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|a Project MUSE - Archive Asian and Pacific Studies Supplement II
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945 |
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|a Project MUSE - Archive History Supplement III
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