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LEADER 00000cam a22000004a 4500
001 musev2_32950
003 MdBmJHUP
005 20230905043455.0
006 m o d
007 cr||||||||nn|n
008 140714s2014 scu o 00 0 eng d
020 |a 9781611173741 
020 |z 9781611173734 
035 |a (OCoLC)883632079 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Bauer, Margaret Donovan,  |d 1963- 
245 1 2 |a A Study of Scarletts :   |b Scarlett O'Hara and Her Literary Daughters /   |c Margaret Donovan Bauer. 
264 1 |a Columbia, South Carolina :  |b University of South Carolina Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2014. 
300 |a 1 online resource (176 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Introduction -- In defense of Scarlett O'Hara -- Gone with the men: Scarlett and Melanie redux in Cold Mountain -- "Put your heart in the land": an intertextual reading of Barren ground and Gone with the wind -- Sula: "more sinned against than sinning" -- "Disregarding the female imperative": Kat Meads's Kitty Duncan, a 1960s-era Scarlett O'Hara -- Afterword. 
520 |a There are two portrayals of Scarlett O'Hara: the widely familiar one of the film Gone with the Wind and Margaret Mitchell's more sympathetic character in the book. In A Study of Scarletts, Margaret D. Bauer examines these two characterizations, noting that although Scarlett O'Hara is just sixteen at the start of the novel, she is criticized for behavior that would have been excused if she were a man. In the end, despite losing nearly every person she loves, Scarlett remains stalwart enough to face another day. For this reason and so many others, Scarlett is an icon in American popular culture and an inspiration to female readers, and yet, she is more often than not condemned for being a sociopathic shrew by those who do not take the time to get to know her through the novel. After providing a more sympathetic reading of Scarlett as a young woman who refuses to accept social limitations based on gender and seeks to be loved for who she is, Bauer examines Scarlett-like characters in other novels. These intertextual readings serve both to develop further a less critical, more compassionate reading of Scarlett O'Hara and to expose societal prejudices against strong women. The chapters in A Study of Scarletts are ordered chronologically according to the novels' settings, beginning with Charles Frazier's Civil War novel Cold Mountain; then Ellen Glasgow's Barren Ground, written a few years before Gone with the Wind but set a generation later, in the years leading up to and just after World War I; Toni Morrison's Sula, which opens after World War I; and finally, a novel by Kat Meads, The Invented Life of Kitty Duncan, with its 1950s- to 1960s-era evolved Scarlett. Through these selections, Bauer shows the persistent tensions that both cause and result from a woman remaining unattached to grow into her own identity without a man, beginning with trouble in the mother-daughter relationship, extending to frustration in romantic relationships, and including the discovery of female friendship as a foundation for facing the future. 
588 |a Description based on print version record. 
600 1 7 |a O'Hara, Scarlett  |c (Fictitious character)  |2 fast  |0 (OCoLC)fst01042559 
600 1 1 |a Mitchell, Margaret,  |d 1900-1949.  |t Gone with the wind. 
600 1 1 |a Frazier, Charles,  |d 1950-  |t Cold Mountain. 
600 1 1 |a Glasgow, Ellen Anderson Gholson,  |d 1873-1945.  |t Barren ground. 
600 1 1 |a Morrison, Toni.  |t Sula. 
600 1 1 |a Meads, Kat,  |d 1951-  |t Invented life of Kitty Duncan (Benedict Roberts Duncan) 
600 1 0 |a O'Hara, Scarlett  |c (Fictitious character) 
600 1 0 |a Meads, Kat,  |d 1951-  |t Invented life of Kitty Duncan (Benedict Roberts Duncan) 
600 1 0 |a Morrison, Toni.  |t Sula. 
600 1 0 |a Glasgow, Ellen,  |d 1873-1945.  |t Barren ground. 
600 1 0 |a Frazier, Charles,  |d 1950-  |t Cold Mountain. 
600 1 0 |a Mitchell, Margaret,  |d 1900-1949.  |t Gone with the wind. 
650 7 |a Women in literature.  |2 fast  |0 (OCoLC)fst01177912 
650 7 |a Social role in literature.  |2 fast  |0 (OCoLC)fst01122864 
650 7 |a Man-woman relationships in literature.  |2 fast  |0 (OCoLC)fst01007097 
650 7 |a Female friendship in literature.  |2 fast  |0 (OCoLC)fst00922616 
650 7 |a LITERARY CRITICISM  |x Feminist.  |2 bisacsh 
650 7 |a LITERARY CRITICISM  |x American  |x General.  |2 bisacsh 
650 6 |a Amitie feminine dans la litterature. 
650 6 |a Relations entre hommes et femmes dans la litterature. 
650 6 |a Femmes dans la litterature. 
650 0 |a Female friendship in literature. 
650 0 |a Man-woman relationships in literature. 
650 0 |a Social role in literature. 
650 0 |a Women in literature. 
630 0 7 |a Sula (Morrison, Toni)  |2 fast  |0 (OCoLC)fst01373819 
630 0 7 |a Gone with the wind (Mitchell, Margaret)  |2 fast  |0 (OCoLC)fst01357855 
630 0 7 |a Cold Mountain (Frazier, Charles)  |2 fast  |0 (OCoLC)fst01388977 
630 0 7 |a Barren ground (Glasgow, Ellen)  |2 fast  |0 (OCoLC)fst01364214 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/32950/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Literature 
945 |a Project MUSE - 2014 Complete