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Acts : Theater, Philosophy, and the Performing Self /
Why do people act? Why are other people drawn to watch them? How is acting as a performing art related to role-playing outside the theater? As the first philosophical study devoted to acting, Acts sheds light on some of the more evasive aspects of the acting experience - such as the import of the ac...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Ann Arbor :
The University of Michigan Press,
2014.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 008 | 140110s2014 miu o 00 0 eng d | ||
| 010 | |z 2013044077 | ||
| 020 | |a 9780472120291 | ||
| 020 | |z 9780472072132 | ||
| 020 | |z 9780472052134 | ||
| 035 | |a (OCoLC)883820153 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Zamir, Tzachi, |d 1967- | |
| 245 | 1 | 0 | |a Acts : |b Theater, Philosophy, and the Performing Self / |c Tzachi Zamir. |
| 264 | 1 | |a Ann Arbor : |b The University of Michigan Press, |c 2014. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2014 | |
| 264 | 4 | |c ©2014. | |
| 300 | |a 1 online resource (288 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Theater: theory/text/performance | |
| 505 | 0 | |a Introduction -- Part I. Life on the stage : What actors do ; Three kinds of existential amplification ; The experience of amplification ; Watching actors ; Listening to actors -- Part II. Staging fictions : Staging words ; Staging literature ; Staging objects -- Part III. Between life and stage : Unethical acts ; Pornography and acting -- Part IV. Life as stage : The theatricalization of love ; The theatricalization of death -- Conclusion. | |
| 520 | 0 | |a Why do people act? Why are other people drawn to watch them? How is acting as a performing art related to role-playing outside the theater? As the first philosophical study devoted to acting, Acts sheds light on some of the more evasive aspects of the acting experience - such as the import of the actor's voice, the ethical unease sometimes felt while embodying particular sequences, and the meaning of inspriration. Tzachi Zamir explores acting's relationship to everyday role-playing through a surprising range of examples of "lived acting," including pornography, masochism, and eating disorders. By unearthing the deeper mobilizing structures that underlie dissimilar forms of staged and non-staged role-playing, Acts offers a multilayered meditation on the percolation from acting to life. -- from back cover. | |
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Acting. |2 nli | |
| 650 | 7 | |a Acting |x Philosophy. |2 nli | |
| 650 | 7 | |a Philosophie |2 gnd | |
| 650 | 7 | |a Darstellendes Spiel |2 gnd | |
| 650 | 7 | |a Theater |2 gnd | |
| 650 | 7 | |a Acting |x Philosophy. |2 fast |0 (OCoLC)fst00796155 | |
| 650 | 7 | |a Acting. |2 fast |0 (OCoLC)fst00796146 | |
| 650 | 7 | |a acting. |2 aat | |
| 650 | 6 | |a Art dramatique. | |
| 650 | 6 | |a Art dramatique |x Philosophie. | |
| 650 | 0 | |a Acting. | |
| 650 | 0 | |a Acting |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/32636/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2014 Film, Theater and Performing Arts | ||
| 945 | |a Project MUSE - 2014 Complete | ||