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830118s1983 mnu o 00 0 eng d |
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|a 9780816653041
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|z 9780816612062
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|z 0816653046
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|a (OCoLC)191932901
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|a The Yale Critics :
|b Deconstruction in America /
|c Jonathan Arac, Wlad Godzich, Wallace Martin, editors.
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|a Minneapolis :
|b University of Minnesota Press,
|c 1983.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©1983.
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|a 1 online resource (260 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Theory and history of literature ;
|v v. 6
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|a Key to Brief Titles; Preface; Introduction; PART I; Variations on Authority: Some Deconstructive Transformations of the New Criticism; The Domestication of Derrida; PART II; Aesthetic Criticism: Geoffrey Hartman; J. Hillis Miller: The Other Victorian at Yale; Error in Paul de Man; The Genius of Irony: Nietzsche in Bloom; PART III; History, Theory, and Influence: Yale Critics as Readers of Maurice Blanchot; Joining the Text: From Heidegger to Derrida; Afterword; Bibliography; Contributors; Index; A; B; C; D; E; F; G; H; I; J; K; L; M; N; O; P; Q; R; S; T; U; V; W; Y; Z.
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|a A heated debate has been raging in North America in recent years over the form and function of literature. At the center of the fray is a group of critics teaching at Yale University - Harold Bloom, Geoffrey Hartman, Paul de Man, and J. Hillis Miller - whose work can be described in relation to the deconstructive philosophy practiced by French philosopher Jacques Derrida. For over a decade the Yale Critics have aroused controversy; most often they are considered as a group, to be applauded or attacked, rather than as individuals whose ideas merit critical scrutiny. Here a new generation of scholars attempts for the first time a serious, broad assessment of the Yale group. These essays appraise the Yale Critics by exploring their roots, their individual careers, and the issues they introduce. Wallace Martin's introduction offers a brilliant, compact account of the Yale Critics and of their relation to deconstruction and the deconstruction to two characteristically Anglo-American enterprises; Paul Bove explores the new criticism and Wlad Godzich the reception of Derrida in America. Next come essays giving individual attention to each of the critics: Michael Sprinker on Hartman, Donald Pease on Miller, Stanley Corngold on de Man, and Daniel O'Hara on Bloom. Two essays then illuminate "deconstruction in America" through a return to modern continental philosophy: Donald Marshall on Maurice Blanchot, and Rodolphe Gasche on Martin Heidegger. Finally, Jonathan Arac's afterword brings the volume together and projects a future beyond the Yale Critics. Throughout, the contributors aim to provide a balanced view of a subject that has most often been treated polemically. While useful as an introduction, The Yale Critics also engages in a serious critical reflection on the uses of the humanities in American today
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546 |
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|a English.
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588 |
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|a Description based on print version record.
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650 |
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7 |
|a Deconstruction.
|2 fast
|0 (OCoLC)fst00889137
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650 |
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7 |
|a Criticism.
|2 fast
|0 (OCoLC)fst00883735
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650 |
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|a LITERARY CRITICISM
|x American
|x General.
|2 bisacsh
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650 |
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|a Deconstructivist.
|2 aat
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650 |
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|a Critique
|z États-Unis.
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650 |
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6 |
|a Deconstruction.
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650 |
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0 |
|a Criticism
|z United States.
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650 |
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0 |
|a Deconstruction.
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651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
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655 |
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7 |
|a Electronic books.
|2 local
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700 |
1 |
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|a Martin, Wallace.
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700 |
1 |
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|a Godzich, Wlad.
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700 |
1 |
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|a Arac, Jonathan,
|d 1945-
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/32546/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement III
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945 |
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|a Project MUSE - Archive Literature Supplement III
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