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010626s2002 mnu o 00 0 eng d |
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|a 9780816692729
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|z 9780816637867
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|z 0816692726
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|a (OCoLC)133160498
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|a MdBmJHUP
|c MdBmJHUP
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|a Senie, Harriet.
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|a Tilted Arc Controversy :
|b Dangerous Precedent /
|c Harriet F. Senie.
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|a Minneapolis, MN :
|b University of Minnesota Press,
|c 2002.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2002.
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|a 1 online resource (232 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Commission, installation, removal -- Public opinion -- Reframing the controversy -- After Tilted Arc.
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|a Since its installation at and subsequent removal from New York City's Federal Plaza, noted sculptor Richard Serra's Tilted Arc has been a touchstone for debates over the role of public art. Installed in 1981, the 10-foot-high, 120-foot-long curved wall of Cor-Ten self-rusting steel instantly became a magnet for criticism. Harriet F. Senie explores the history of Tilted Arc, including its 1979 commission and the heated public hearings that eventually led to its removal in 1989. She examines the tactics of those opposed to the sculpture and the media's superficial and sensational coverage of the.
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|a Description based on print version record.
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1 |
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|a Serra, Richard,
|d 1938-
|t Tilted arc.
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|a Public sculpture
|x Public opinion.
|2 fast
|0 (OCoLC)fst01083021
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650 |
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|a ART
|x Criticism & Theory.
|2 bisacsh
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650 |
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|a ART
|x Sculpture & Installation.
|2 bisacsh
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|a Sculpture publique
|z New York (État)
|z New York
|x Opinion publique.
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|a Public sculpture
|z New York (State)
|z New York
|x Public opinion.
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|a Tilted arc (Serra, Richard)
|2 fast
|0 (OCoLC)fst01372456
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|a New York (State)
|z New York.
|2 fast
|0 (OCoLC)fst01204333
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|a Electronic book.
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|a Electronic books.
|2 local
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/32488/
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement III
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|a Project MUSE - Archive History Supplement III
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