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Third Hand : Collaboration in Art from Conceptualism to Postmodernism /

Since the 1960s, a number of artists have challenged the dominant paradigm of art-that of the lone artist-by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in in...

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Detalles Bibliográficos
Autor principal: Green, Charles, 1953- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2001.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 4 |a Third Hand :   |b Collaboration in Art from Conceptualism to Postmodernism /   |c Charles Green. 
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505 0 |a Art by long distance: Joseph Kosuth -- Conceptual bureaucracy: Ian Burn, Mel Ramsden, and art and language -- Memory, ruins, and archives: Boyle family -- Memory storage: Anne and Patrick Poirier -- Memory and ethics: Helen Mayer Harrison and Newton Harrison -- Negotiated identity: Christo and Jeanne-Claude -- Eliminating personality: Gilbert and George -- Missing in action: Marina Abramović and Ullay -- Doubles, Doppelgängers, and the third hand. 
520 |a Since the 1960s, a number of artists have challenged the dominant paradigm of art-that of the lone artist-by embarking on long-term collaborations that dramatically altered the terms of artistic identity. In The Third Hand, Charles Green offers a sustained critical examination of collaboration in international contemporary art. 
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650 7 |a Paar  |2 gnd 
650 7 |a Künstler  |2 gnd 
650 7 |a Kooperation  |2 gnd 
650 7 |a Postmoderne  |2 gnd 
650 7 |a Kunst  |2 gnd 
650 7 |a Postmodernism.  |2 fast  |0 (OCoLC)fst01073164 
650 7 |a Modernism (Art)  |2 fast  |0 (OCoLC)fst01024442 
650 7 |a Conceptual art.  |2 fast  |0 (OCoLC)fst00872980 
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