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There's No Place Like Home Video /
In Theres No Place Like Home Video, James Moran offers a history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and home videos symbiotic relationship with television and film. He also investigates the broader field of video, ta...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2002.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780816692804 | ||
| 020 | |z 9780816638017 | ||
| 020 | |z 0816692807 | ||
| 035 | |a (OCoLC)191935859 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Moran, James M., |d 1962- | |
| 245 | 1 | 0 | |a There's No Place Like Home Video / |c James M. Moran. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2002. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2002. | |
| 300 | |a 1 online resource (256 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Visible evidence ; |v v. 12 | |
| 505 | 0 | |a Acknowledgments; Introduction: Medium Theory, Home Video, and Other Specifications; 1 What Is Video? Mapping Out Models of Medium Specificity; 2 From Reel Families to Families We Choose: Video in the Home Mode; 3 Modes of Distinction: The Home Mode, the Avant-Garde, and Event Videography; 4 Family Resemblances: The Home Mode as Chronotope; 5 The Video-in-the-Text: A Phenomenology and Narratology of Hybrid Spectatorship; Notes; Index. | |
| 520 | |a In Theres No Place Like Home Video, James Moran offers a history of amateur home video, exploring its technological and ideological predecessors, the development of event videography, and home videos symbiotic relationship with television and film. He also investigates the broader field of video, taking on the question of medium specificity: the attempt to define its unique identity, to capture what constitutes its pure practice. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 1 | 7 | |a Representatie (algemeen) |2 gtt |
| 650 | 1 | 7 | |a Videofilms. |2 gtt |
| 650 | 1 | 7 | |a Dagelijks leven. |2 gtt |
| 650 | 1 | 7 | |a Gezin. |2 gtt |
| 650 | 7 | |a Video recordings |x Production and direction. |2 fast |0 (OCoLC)fst01166496 | |
| 650 | 7 | |a Video recordings. |2 fast |0 (OCoLC)fst01166472 | |
| 650 | 7 | |a Amateur films. |2 fast |0 (OCoLC)fst00806665 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Direction & Production. |2 bisacsh | |
| 650 | 7 | |a TECHNOLOGY & ENGINEERING |x Television & Video. |2 bisacsh | |
| 650 | 6 | |a Video |x Production et realisation. | |
| 650 | 6 | |a Films d'amateurs |x Histoire et critique. | |
| 650 | 6 | |a Videos. | |
| 650 | 0 | |a Video recordings |x Production and direction. | |
| 650 | 0 | |a Amateur films |x History and criticism. | |
| 650 | 0 | |a Video recordings. | |
| 655 | 7 | |a Videos. |2 rvmgf | |
| 655 | 7 | |a Video recordings. |2 lcgft | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Video recordings. |2 fast |0 (OCoLC)fst01692913 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/32450/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||