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Television, Tabloids, and Tears : Fassbinder and Popular Culture
I am Biberkopf, Rainer Werner Fassbinder declared, aligning himself with the protagonist of his widely seen television adaptation of Berlin Alexanderplatz. The statement provoked an unprecedented national debate about what constituted an acceptable German artist and who has the power to determine ar...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
1995.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Shattuc, Jane. | |
| 245 | 1 | 0 | |a Television, Tabloids, and Tears : |b Fassbinder and Popular Culture |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 1995. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©1995. | |
| 300 | |a 1 online resource (272 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Acknowledgments; 1 The Melodrama of Fassbinder's Reception; 2 Engineering a Democracy through Autorenfilm: The Political Context of Television's Support of Fassbinder; 3 Fassbinder as a Popular Auteur: The Making of an Authorial Legend; 4 Shock Pop: Fassbinder and the Aesthetics of the German Counterculture; 5 The Textual Fassbinder: Two Institutional Genres; 6 Berlin Alexanderplatz: The Interplay of Fassbinder's Textual Voices; 7 The Popular Reception of Berlin Alexanderplatz; 8 Conclusion; Works; Appendixes; Notes; Selected Bibliography; Index. | |
| 520 | |a I am Biberkopf, Rainer Werner Fassbinder declared, aligning himself with the protagonist of his widely seen television adaptation of Berlin Alexanderplatz. The statement provoked an unprecedented national debate about what constituted an acceptable German artist and who has the power to determine art. More than any recent German director, Fassbinder embodied this debate, and Jane Shattuc shows us how much this can tell us, not just about the man and his work, but also about the state of "culture" in Germany. It is fascinating in itself that Fassbinder, a highly controversial public f. | ||
| 588 | |a Description based on print version record. | ||
| 600 | 1 | 7 | |a Fassbinder, Rainer Werner, |d 1945-1982. |2 fast |0 (OCoLC)fst01432993 |
| 600 | 1 | 0 | |a Fassbinder, Rainer Werner, |d 1945-1982 |x Criticism and interpretation. |
| 630 | 0 | 7 | |a Berlin Alexanderplatz (Television program) |2 fast |0 (OCoLC)fst01382698 |
| 630 | 0 | 0 | |a Berlin Alexanderplatz (Television program) |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/32433/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||