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Shadows, Specters, Shards : Making History in Avant-Garde Film /
Shadows, Specters, Shards examines experimental films, including work by Eleanor Antin, Ernie Gehr, and Jean-Luc Godard, that take up events such as the Holocaust, Latin American independence struggles, and urban politics. In his discussion of avant-garde film of the 1970s, 1980s, and 1990s, Jeffrey...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis, MN :
University of Minnesota Press,
2005.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 007 | cr||||||||nn|n | ||
| 008 | 050413s2005 mnu o 00 0 eng d | ||
| 020 | |a 9780816695317 | ||
| 020 | |z 9780816642328 | ||
| 020 | |z 0816695318 | ||
| 035 | |a (OCoLC)180280367 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Skoller, Jeffrey. | |
| 245 | 1 | 0 | |a Shadows, Specters, Shards : |b Making History in Avant-Garde Film / |c Jeffrey Skoller. |
| 264 | 1 | |a Minneapolis, MN : |b University of Minnesota Press, |c 2005. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2005. | |
| 300 | |a 1 online resource (264 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Acknowledgments; Introduction; 1. Shards: Allegory as Historical Procedure; 2. Shadows: Historical Temporalities 1; 3. Virtualities: Historical Temporalities 2; 4. Specters: The Limits of Representing History; 5. Obsessive Returns: Filmmaking as Mourning Work; Coda: Notes on History and the Postcinema Condition; Notes; Bibliography; Filmography and Distributors; Permissions; Index. | |
| 520 | |a Shadows, Specters, Shards examines experimental films, including work by Eleanor Antin, Ernie Gehr, and Jean-Luc Godard, that take up events such as the Holocaust, Latin American independence struggles, and urban politics. In his discussion of avant-garde film of the 1970s, 1980s, and 1990s, Jeffrey Skoller reveals how a nuanced understanding of the past is linked to the artistry of image making and storytelling. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Historical films. |2 fast |0 (OCoLC)fst00958120 | |
| 650 | 7 | |a Experimental films. |2 fast |0 (OCoLC)fst00918452 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 6 | |a Films historiques |x Histoire et critique. | |
| 650 | 0 | |a Experimental films |x History and criticism. | |
| 650 | 0 | |a Historical films |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/32399/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||