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The People Have Never Stopped Dancing : Native American Modern Dance Histories /
In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these concert performances are at once diverse and connected by common influences. Illustrating how Native dance enacts cultural connections to land, ancestors, and animals, as well as spiritual and pol...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2007.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Have they a right? : nineteenth-century Indian dance practices and federal policy
- Theatricalizing dancing and policing authenticity
- Antidance rhetoric and American Indian arts in the 1920s
- Authentic themes : modern dancers and American Indians in the 1920s and 1930s
- Her point of view : Martha Graham and absent Indians
- Held in reserve : Jose Limón, Tom Two Arrows, and American Indian dance in the 1950s
- The emergence of a visible Native American stage dance
- Aboriginal land claims and aboriginal dance at the end of the twentieth century
- We're dancing : indigenous stage dance in the twenty-first century.