Cargando…

The People Have Never Stopped Dancing : Native American Modern Dance Histories /

In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these concert performances are at once diverse and connected by common influences. Illustrating how Native dance enacts cultural connections to land, ancestors, and animals, as well as spiritual and pol...

Descripción completa

Detalles Bibliográficos
Autor principal: Shea Murphy, Jacqueline, 1964-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2007.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_32234
003 MdBmJHUP
005 20230905043412.0
006 m o d
007 cr||||||||nn|n
008 080201s2007 mnu o 00 0 eng d
020 |a 9780816653805 
020 |z 9780816647767 
020 |z 0816653801 
035 |a (OCoLC)191737984 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Shea Murphy, Jacqueline,  |d 1964- 
245 1 4 |a The People Have Never Stopped Dancing :   |b Native American Modern Dance Histories /   |c Jacqueline Shea Murphy. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c 2007. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2007. 
300 |a 1 online resource (296 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Have they a right? : nineteenth-century Indian dance practices and federal policy -- Theatricalizing dancing and policing authenticity -- Antidance rhetoric and American Indian arts in the 1920s -- Authentic themes : modern dancers and American Indians in the 1920s and 1930s -- Her point of view : Martha Graham and absent Indians -- Held in reserve : Jose Limón, Tom Two Arrows, and American Indian dance in the 1950s -- The emergence of a visible Native American stage dance -- Aboriginal land claims and aboriginal dance at the end of the twentieth century -- We're dancing : indigenous stage dance in the twenty-first century. 
520 |a In this first major study of contemporary Native American dance, Jacqueline Shea Murphy shows how these concert performances are at once diverse and connected by common influences. Illustrating how Native dance enacts cultural connections to land, ancestors, and animals, as well as spiritual and political concerns, Shea Murphy challenges stereotypes and offers new ways of recognizing the agency of bodies on stage. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Modern dance.  |2 fast  |0 (OCoLC)fst01024421 
650 7 |a Indian dance.  |2 fast  |0 (OCoLC)fst00969101 
650 7 |a SOCIAL SCIENCE  |x Ethnic Studies  |x Native American Studies.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Dance  |x Classical & Ballet.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Dance  |x Modern.  |2 bisacsh 
650 6 |a Danses indiennes d'Amerique  |z États-Unis  |x Histoire  |y 20e siecle. 
650 0 |a Indian dance  |z United States  |x History  |y 20th century. 
650 0 |a Modern dance  |z United States  |x History  |y 20th century. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/32234/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Native American and Indigenous Studies Supplement II 
945 |a Project MUSE - Archive Global Cultural Studies Supplement III