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Performing Hybridity /

Amid the modern-day complexities of migration and exile, immigration and repatriation, notions of stable national identity give way to ideas about cultural "hybridity." The authors represented in this volume use different forms of performative writing to question this process, to ask how t...

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Detalles Bibliográficos
Otros Autores: Fink, Jennifer Natalya (Editor ), Joseph, May (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 1999.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Performing Hybridity /   |c May Joseph, Jennifer Natalya Fink, editors. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©1999. 
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505 0 |a Acknowledgments; Introduction: New Hybrid Identities and Performance; Part I: Transnational Hybridities; Three Poems on the Poverty of History; Culture and the Global Economy; A Blast from the Past; Palimpsestic Aesthetics: A Meditation on Hybridity and Garbage; The Daughters of Gandhi: Africanness, Indianness, and Brazilianness in the Bahian Carnival; Floating Signification: Carnivals and the Transgressive Performance of Hybridity; Hybridity and Other Poems; The Autoethnographic Performance: Reading Richard Fung's Queer Hybridity. 
520 |a Amid the modern-day complexities of migration and exile, immigration and repatriation, notions of stable national identity give way to ideas about cultural "hybridity." The authors represented in this volume use different forms of performative writing to question this process, to ask how the production of new political identities destabilizes ideas about gender, sexuality, and the nation in the public sphere 
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