Cargando…
Making Easy Listening : Material Culture and Postwar American Recording /
In Making Easy Listening, Tim J. Anderson analyzes the period between the Second World War and the mid-1960s that saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Anderson presents a social and cultural history of musical production t...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2006.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_31977 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905043356.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 070315s2006 mnu o 00 0 eng d | ||
| 010 | |z 2005035679 | ||
| 020 | |a 9780816696956 | ||
| 020 | |z 9780816645183 | ||
| 020 | |z 0816696950 | ||
| 035 | |a (OCoLC)85864273 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Anderson, Tim J. | |
| 245 | 1 | 0 | |a Making Easy Listening : |b Material Culture and Postwar American Recording / |c Tim J. Anderson. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2006. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2006. | |
| 300 | |a 1 online resource (296 pages): |b illustrations. | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Commerce and mass culture series | |
| 505 | 0 | |a Introduction : opening tracks -- Managing the recording process and rethinking the recording bans. Buried under the fecundity of his own creations : the first strike of the American Federation of Musicians ; Counterreform and resignation : the second strike of the American Federation of Musicians -- Production, reproduction, and the case of My fair lady. Which voice best becomes the property? stitching the intertext of My fair lady ; Listening to my My fair lady : versioning and the recorded music object -- Stereo, hi-fi, and the modern pleasures of easy listening. A tale of two ears : the concert hall aesthetic and stereo ; Space, the pliable frontier : stereo as the new spatial palette of audio -- Conclusion : the flip side (and a few concluding thoughts). | |
| 520 | |a In Making Easy Listening, Tim J. Anderson analyzes the period between the Second World War and the mid-1960s that saw the American music industry engaged in a fundamental transformation in how music was produced and experienced. Anderson presents a social and cultural history of musical production that aims to understand how recording technologies influence musicians', as well as listeners', lives. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Sound recordings |x Production and direction. |2 fast |0 (OCoLC)fst01127057 | |
| 650 | 7 | |a Sound recording industry. |2 fast |0 (OCoLC)fst01127019 | |
| 650 | 7 | |a Popular culture. |2 fast |0 (OCoLC)fst01071344 | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a MUSIC |x Recording & Reproduction. |2 bisacsh | |
| 650 | 6 | |a Culture populaire |z États-Unis |x Histoire |y 20e siecle. | |
| 650 | 0 | |a Popular culture |z United States |x History |y 20th century. | |
| 650 | 0 | |a Sound recordings |x Production and direction |z United States. | |
| 650 | 0 | |a Sound recording industry |z United States |x History. | |
| 651 | 7 | |a United States. |2 fast |0 (OCoLC)fst01204155 | |
| 655 | 7 | |a History |2 fast |0 (OCoLC)fst01411628 | |
| 655 | 0 | |a Electronic book. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31977/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Global Cultural Studies Supplement III | ||