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High Techne : Art and Technology from the Machine Aesthetic to the Posthuman
In an age of high tech, our experience of technology has changed tremendously, yet the definition of technology has remained largely unquestioned. High Techne redresses this gap in thinking about technology, examining the shifting relations of technology, art, and culture from the beginnings of mode...
| Autor principal: | |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
1999.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780816652921 | ||
| 020 | |z 9780816633562 | ||
| 020 | |z 0816652929 | ||
| 035 | |a (OCoLC)290518756 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Rutsky, R. L. | |
| 245 | 1 | 0 | |a High Techne : |b Art and Technology from the Machine Aesthetic to the Posthuman |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 1999. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©1999. | |
| 300 | |a 1 online resource (208 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Electronic Mediations | |
| 505 | 0 | |a Introduction: The Question concerning High Tech; 1. The Spirit of Utopia and the Birth of the Cinematic Machine; 2. The Mediation of Technology and Gender; 3. The Avant-Garde Techne and the Myth of Functional Form; 4. Within the Space of High Tech; 5. Technological Fetishism and the Techno-Cultural Unconscious; Notes; Index. | |
| 520 | |a In an age of high tech, our experience of technology has changed tremendously, yet the definition of technology has remained largely unquestioned. High Techne redresses this gap in thinking about technology, examining the shifting relations of technology, art, and culture from the beginnings of modernity to contemporary technocultures. Progressing from the major art movements of modernism to contemporary science fiction and cultural theory, Rutsky provides clear and compelling evidence of a shift in the cultural conceptions of technology and art. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Technology |x Aesthetics. |2 fast |0 (OCoLC)fst01145084 | |
| 650 | 7 | |a ART |x Criticism & Theory. |2 bisacsh | |
| 650 | 6 | |a Technologie |x Esthetique. | |
| 650 | 6 | |a Art et technologie |x Philosophie. | |
| 650 | 0 | |a Technology |x Aesthetics. | |
| 650 | 0 | |a Art and technology |x Philosophy. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31884/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Philosophy and Religion Supplement III | ||