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The Hidden Foundation : Cinema and the Question of Class
Ranging from the earliest days of the cinema to the present, The Hidden Foundation reestablishes class as a fundamental aspect of film history. Featuring prominent film scholars and historians acting to inaugurate a new type of film studies, this volume is unique in its international scope, diversit...
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| Otros Autores: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
1996.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a James, David E. | |
| 245 | 1 | 0 | |a The Hidden Foundation : |b Cinema and the Question of Class |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 1996. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©1996. | |
| 300 | |a 1 online resource (312 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a 1. Introduction: Is There Class in This Text?; 2. Beyond the Screen: History, Class, and the Movies; 3. The Melos in Marxist Theory; 4. Strike and the Question of Class; 5. The Gun in the Briefcase; or, The Inscription of Class in Film Noir; 6. "No Sin in Lookin' Prosperous": Gender, Race, and the Class Formations of Middlebrow Taste in Douglas Sirk's Imitation of Life; 7. Compromised Liberation: The Politics of Class in Chinese Cinema of the Early 1950s; 8. Out of the Mine and into the Canyon: Working-Class Feminism, Yesterday and Today. | |
| 520 | |a Ranging from the earliest days of the cinema to the present, The Hidden Foundation reestablishes class as a fundamental aspect of film history. Featuring prominent film scholars and historians acting to inaugurate a new type of film studies, this volume is unique in its international scope, diversity of perspectives and methodologies, and the cultural, political, and historical sweep of its analysis. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Social classes. |2 fast |0 (OCoLC)fst01122346 | |
| 650 | 7 | |a Motion pictures |x Social aspects. |2 fast |0 (OCoLC)fst01027384 | |
| 650 | 7 | |a Motion pictures |x Political aspects. |2 fast |0 (OCoLC)fst01027353 | |
| 650 | 7 | |a social classes. |2 aat | |
| 650 | 6 | |a Classes sociales. | |
| 650 | 6 | |a Cinema |x Aspect social. | |
| 650 | 2 | |a Social Class | |
| 650 | 0 | |a Social classes. | |
| 650 | 0 | |a Motion pictures |x Social aspects. | |
| 650 | 0 | |a Motion pictures |x Political aspects. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Berg, Rick. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31881/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||