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First Person Jewish /
Alisa S. Lebow examines films from Jewish artists to reveal how the postmodern impulse to turn the lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes of the Jew. Using a multidisciplinary approach Lebow shows how this form of self-expression is cha...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2008.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9780816656431 | ||
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| 020 | |z 0816656436 | ||
| 035 | |a (OCoLC)235440996 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Lebow, Alisa. | |
| 245 | 1 | 0 | |a First Person Jewish / |c Alisa S. Lebow. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2008. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2008. | |
| 300 | |a 1 online resource (224 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Visible evidence ; |v v. 22 | |
| 505 | 0 | |a Memory once removed: indirect memory and transitive autobiography in Chantal Akerman's D'Est -- Reframing the Jewish family -- A treyf autocritique of autobiography -- Ambivalence and ambiguity in queer Jewish subjectivity -- Conclusion: a limit case for Jewish autoethnography. | |
| 520 | |a Alisa S. Lebow examines films from Jewish artists to reveal how the postmodern impulse to turn the lens inward intersects provocatively (and at times unwittingly) with historical tropes and stereotypes of the Jew. Using a multidisciplinary approach Lebow shows how this form of self-expression is challenging both autobiography and documentary and, in the process, changing the art of cinema and recording the cultural shifts of our time. | ||
| 546 | |a English. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Stereotypes (Social psychology) in motion pictures. |2 fast |0 (OCoLC)fst01431527 | |
| 650 | 7 | |a Jews in motion pictures. |2 fast |0 (OCoLC)fst00983390 | |
| 650 | 7 | |a Jewish motion picture producers and directors. |2 fast |0 (OCoLC)fst00982857 | |
| 650 | 7 | |a Identity (Psychology) in motion pictures. |2 fast |0 (OCoLC)fst00966911 | |
| 650 | 7 | |a Documentary films. |2 fast |0 (OCoLC)fst00896079 | |
| 650 | 7 | |a Autobiography. |2 fast |0 (OCoLC)fst00822597 | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x History & Criticism. |2 bisacsh | |
| 650 | 7 | |a PERFORMING ARTS |x Film & Video |x Reference. |2 bisacsh | |
| 650 | 7 | |a autobiography (genre) |2 aat | |
| 650 | 6 | |a Stereotypes au cinema. | |
| 650 | 6 | |a Identite (Psychologie) au cinema. | |
| 650 | 6 | |a Autobiographie. | |
| 650 | 6 | |a Producteurs et realisateurs de cinema juifs. | |
| 650 | 6 | |a Juifs au cinema. | |
| 650 | 0 | |a Stereotypes (Social psychology) in motion pictures. | |
| 650 | 0 | |a Identity (Psychology) in motion pictures. | |
| 650 | 0 | |a Autobiography. | |
| 650 | 0 | |a Documentary films |x History and criticism. | |
| 650 | 0 | |a Jewish motion picture producers and directors. | |
| 650 | 0 | |a Jews in motion pictures. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31795/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Jewish Studies Supplement II | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||