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Engraving the Savage : The New World and Techniques of Civilization /
In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gau...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2008.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 080725s2008 mnu o 00 0 eng d | ||
| 020 | |a 9780816656530 | ||
| 020 | |z 0816656533 | ||
| 020 | |z 9780816648474 | ||
| 035 | |a (OCoLC)236100665 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Gaudio, Michael. | |
| 245 | 1 | 0 | |a Engraving the Savage : |b The New World and Techniques of Civilization / |c Michael Gaudio. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2008. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2008. | |
| 300 | |a 1 online resource (240 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | 0 | |t Introduction: White pebbles in the dark forest -- |t Savage marks: the scriptive techniques of early modern ethnography -- |t Making sense of smoke: engraving and ornament in de Bry's America -- |t Flatness and protuberance: reforming the image in Protestant print culture -- |t The art of scratch: wood engraving and picture-writing in the 1880s. |
| 520 | |a In this innovative analysis, Michael Gaudio explains how popular engravings of Native American Indians defined the nature of Western civilization by producing an image of its "savage other." Going beyond the notion of the "savage" as an intellectual and ideological construct, Gaudio examines how the tools, materials, and techniques of copperplate engraving shaped Western responses to indigenous peoples. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Prints |x Technique |2 fast |0 (OCoLC)fst01076838 | |
| 650 | 7 | |a Indians in art |2 fast |0 (OCoLC)fst00969418 | |
| 650 | 7 | |a Difference (Philosophy) in art |2 fast |0 (OCoLC)fst00893408 | |
| 650 | 7 | |a Art |x Reproduction |2 fast |0 (OCoLC)fst00815325 | |
| 650 | 7 | |a ART |x History |x General. |2 bisacsh | |
| 650 | 7 | |a ART |x Subjects & Themes |x Human Figure. |2 bisacsh | |
| 650 | 7 | |a ART |x Subjects & Themes |x Portraits. |2 bisacsh | |
| 650 | 7 | |a printmaking. |2 aat | |
| 650 | 7 | |a copies (derivative objects) |2 aat | |
| 650 | 6 | |a Estampe |x Technique. | |
| 650 | 6 | |a Art |x Reproduction. | |
| 650 | 6 | |a Difference (Philosophie) dans l'art. | |
| 650 | 6 | |a Indiens d'Amerique dans l'art. | |
| 650 | 0 | |a Prints |x Technique. | |
| 650 | 0 | |a Art |x Reproduction. | |
| 650 | 0 | |a Difference (Philosophy) in art. | |
| 650 | 0 | |a Indians in art. | |
| 651 | 7 | |a America |2 fast |0 (OCoLC)fst01239786 | |
| 651 | 0 | |a America |x Discovery and exploration |x Historiography. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31735/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Archaeology and Anthropology Supplement III | ||