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Deja Vu : Aberrations Of Cultural Memory /

Referring to a past that never was, dejà vu shares a structure not only with fiction, but also with the ever more sophisticated effects of media technology. Tracing the term from the end of the nineteenth century, when it was first popularized in the pages of the Revue philosophique, Peter Krapp ex...

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Detalles Bibliográficos
Autor principal: Krapp, Peter
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis, MN : University of Minnesota Press, 2004.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Deja Vu :   |b Aberrations Of Cultural Memory /   |c Peter Krapp. 
264 1 |a Minneapolis, MN :  |b University of Minnesota Press,  |c 2004. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2004. 
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490 0 |a Electronic mediations ;  |v v. 12 
505 0 |a Secret agents: Sigmund Freud in reserve -- Future interior: Walter Benjamin's envelope -- Posthistoire in ruins: Heiner Müller's hydrapoetics -- Andy's wedding: reading Warhol -- Unforgiven: toward an ethics of forgetting -- Screen memories: Hypertext -- Wrapping it up: mummy effects. 
520 |a Referring to a past that never was, dejà vu shares a structure not only with fiction, but also with the ever more sophisticated effects of media technology. Tracing the term from the end of the nineteenth century, when it was first popularized in the pages of the Revue philosophique, Peter Krapp examines the genealogy and history of the singular and unrepeatable experience of dejà vu. This provocative book offers a refreshing counterpoint to the cliched celebrations of cultural memory and forces us do a double take on the sanctimonious warnings against forgetting so common in our time. Disturb. 
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650 7 |a Dejà vu.  |2 fast  |0 (OCoLC)fst00900394 
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650 7 |a PHILOSOPHY  |x Movements  |x Humanism.  |2 bisacsh 
650 6 |a Memoire (Philosophie) 
650 6 |a Dejà-vu. 
650 2 |a Deja Vu 
650 0 |a Memory  |x Social aspects. 
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650 0 |a Dejà vu. 
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945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III