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Collectivism after Modernism : The Art of Social Imagination after 1945 /
Organized around case studies spanning the globe from Europe, Japan, and the United States to Africa, Cuba, and Mexico, Collectivism after Modernism covers such renowned collectives as the Guerrilla Girls and the Yes Men, as well as lesser-known groups.
| Otros Autores: | , |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis, MN :
University of Minnesota Press,
2007.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
Tabla de Contenidos:
- Introduction: periodizing collectivism / Blake Stimson and Gregory Sholette
- Internationaleries: collectivism, the grotesque, and Cold War functionalism / Jelena Stojanovic
- After the "descent to the everyday": Japanese collectivism from Hi Red Center to The Play, 1964-1973 / Reiko Tomii
- Art & language and the international form in Anglo-American collectivism / Chris Gilbert
- The collective camcorder in art and activism / Jesse Drew
- Performing revolution: Arte Calle, Grupo Provisional, and the response to the Cuban National Crisis, 1986-1989 / Rachel Weiss
- The Mexican Pentagon: adventures in collectivism during the 1970s / Ruben Gallo
- Artists' collectives: focus on New York, 1975-2000 / Alan W. Moore
- The production of social space as artwork: protocols of community in the work of Le Groupe Amos and Huit Facettes / Okwui Enwezor
- Beyond representation and affiliation: collective action in post-Soviet Russia / Irina Aristarkhova
- Do-it-yourself geopolitics: cartographies of art in the world / Brian Holmes.