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The Color of Stone : Sculpting the Black Female Subject in Nineteenth-Century America /

In The Color of Stone, Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpturecolor. Considering three major worksHiram Powerss Greek Slave, William Wetmore Storys Cleopatra, and Edmonia Lewiss Death of Cleopatrashe explores the intersection of race, sex...

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Detalles Bibliográficos
Autor principal: Nelson, Charmaine
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Minneapolis : University of Minnesota Press, 2007.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Nelson, Charmaine. 
245 1 4 |a The Color of Stone :   |b Sculpting the Black Female Subject in Nineteenth-Century America /   |c Charmaine A. Nelson. 
264 1 |a Minneapolis :  |b University of Minnesota Press,  |c 2007. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2007. 
300 |a 1 online resource (320 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 0 |t Dismembering the flock : difference and the "lady-artists" --  |t "Taste" and the practices of cultural tourism : vision, proximity, and commemoration --  |t "So pure and celestial a light" : sculpture, marble, and whiteness as a privileged racial signifier --  |t White slaves and Black masters : appropriation and disavowal in Hiram Powers's Greek slave --  |t The color of slavery : degrees of blackness and the bodies of female slaves --  |t Racing the body : reading blackness in William Wetmore Story's Cleopatra --  |t The Black queen in the White body : Edmonia Lewis and the dead queen Conclusion : neoclassicism and the politics of race. 
520 |a In The Color of Stone, Charmaine A. Nelson brilliantly analyzes a key, but often neglected, aspect of neoclassical sculpturecolor. Considering three major worksHiram Powerss Greek Slave, William Wetmore Storys Cleopatra, and Edmonia Lewiss Death of Cleopatrashe explores the intersection of race, sex, and class to reveal the meanings each work holds in terms of colonial histories of visual representation. 
588 |a Description based on print version record. 
650 7 |a Women, Black, in art.  |2 fast  |0 (OCoLC)fst01178938 
650 7 |a Sculpture, Neoclassical.  |2 fast  |0 (OCoLC)fst01109799 
650 7 |a Race in art.  |2 fast  |0 (OCoLC)fst01904405 
650 7 |a Marble sculpture, American.  |2 fast  |0 (OCoLC)fst01008979 
650 7 |a Figure sculpture, American.  |2 fast  |0 (OCoLC)fst00924088 
650 7 |a ART  |x History  |x General.  |2 bisacsh 
650 7 |a ART  |x Sculpture & Installation.  |2 bisacsh 
650 6 |a Race dans l'art. 
650 6 |a Sculpture neoclassique  |z États-Unis. 
650 6 |a Sculpture en marbre americaine  |y 19e siecle. 
650 6 |a Sculpture de figures humaines americaine  |y 19e siecle. 
650 6 |a Femmes noires dans l'art. 
650 0 |a Race in art. 
650 0 |a Sculpture, Neoclassical  |z United States. 
650 0 |a Marble sculpture, American  |y 19th century. 
650 0 |a Figure sculpture, American  |y 19th century. 
650 0 |a Women, Black, in art. 
651 7 |a United States.  |2 fast  |0 (OCoLC)fst01204155 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/31711/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive History Supplement III