Cargando…

A Culture of Light : Cinema and Technology in 1920s Germany /

In Frances Guerin's history of German silent cinema of the 1920s, the use of light is the pivot around which a new national cinema and culture emerges. Guerin's interpretations center on use of light in films such as Metropolis (1926) and Der Golem (1920) and we see how light is the substa...

Descripción completa

Detalles Bibliográficos
Autor principal: Guerin, Frances
Formato: Electrónico eBook
Idioma:Inglés
Publicado: [Bristol] : [University Presses Marketing, distributor], 2005.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

LEADER 00000cam a22000004a 4500
001 musev2_31689
003 MdBmJHUP
005 20230905043339.0
006 m o d
007 cr||||||||nn|n
008 040921s2005 mnu o 00 0 eng d
010 |z  2004022373 
020 |a 9780816695614 
020 |z 9780816642861 
020 |z 081669561X 
035 |a (OCoLC)191935632 
040 |a MdBmJHUP  |c MdBmJHUP 
100 1 |a Guerin, Frances. 
245 1 2 |a A Culture of Light :   |b Cinema and Technology in 1920s Germany /   |c Frances Guerin. 
264 1 |a [Bristol] :  |b [University Presses Marketing, distributor],  |c 2005. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2005. 
300 |a 1 online resource (352 pages):   |b illustrations 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a Acknowledgments; Introduction; 1. The Electrification of Life, Cinema, and Art; 2. Bringing Cinema to Life through Light: German Film to World War I; 3. Legends of Light and Shadow: The Mythical Past in Algol and Schatten; 4. The Spell of Light: Cinema as Modern Magic in Faust, Der Golem, Siegfried, and Metropolis; 5. Reformulations of Space through Light in Die StraBe, Jenseits der StraBe, and Am Rande der Welt; 6. Dazzled by the Profusion of Lights: Technological Entertainment in Variete and Sylvester; Conclusion; Notes; Index. 
520 |a In Frances Guerin's history of German silent cinema of the 1920s, the use of light is the pivot around which a new national cinema and culture emerges. Guerin's interpretations center on use of light in films such as Metropolis (1926) and Der Golem (1920) and we see how light is the substance of image composition, the narrative structuring device, and the thematic concern. Choice Outstanding Academic Title. 
588 |a Description based on print version record. 
650 7 |a Motion pictures.  |2 fast  |0 (OCoLC)fst01027285 
650 7 |a Cinematography  |x Lighting.  |2 fast  |0 (OCoLC)fst00861495 
650 7 |a PERFORMING ARTS  |x Film & Video  |x History & Criticism.  |2 bisacsh 
650 6 |a Cinema  |x Éclairage  |z Allemagne  |x Histoire  |y 20e siecle. 
650 6 |a Cinema  |z Allemagne  |x Histoire  |y 20e siecle. 
650 0 |a Cinematography  |x Lighting  |z Germany  |x History  |y 20th century. 
650 0 |a Motion pictures  |z Germany  |x History  |y 20th century. 
651 7 |a Germany.  |2 fast  |0 (OCoLC)fst01210272 
655 7 |a History  |2 fast  |0 (OCoLC)fst01411628 
655 0 |a Electronic book. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/31689/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III