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Culture Incorporated : Museums, Artists, And Corporate Sponsorships /
In Culture Incorporated, Mark W. Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
2002.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 180322s2002 mnu o 00 0 eng d | ||
| 020 | |a 9780816693108 | ||
| 020 | |z 9780816638529 | ||
| 020 | |z 0816693102 | ||
| 035 | |a (OCoLC)173241195 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Rectanus, Mark W. | |
| 245 | 1 | 0 | |a Culture Incorporated : |b Museums, Artists, And Corporate Sponsorships / |c Mark W. Rectanus. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 2002. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2002. | |
| 300 | |a 1 online resource (312 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Corporations and culture: the new partnership -- Full disclosure -- Corporate cultural politics: corporate identity and culture -- Culture, artists, events -- Redefining culture, absolutly -- Sponsoring lifestyle: travels with Annie Leibovitz -- Sponsoring events: culture as corporate stage, from Woodstock to Ravestock and Reichstock -- Museums, cyberspace, audiences -- The sponsored museum, or the museum as sponsor -- Cybersponsoring. | |
| 520 | |a In Culture Incorporated, Mark W. Rectanus calls for full disclosure of corporate involvement in cultural events and examines how corporations, art institutions, and foundations are reshaping the cultural terrain. In turn, he also shows how that ground is destabilized by artists subverting these same institutions to create a heightened awareness of critical alternatives. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 0 | 7 | |a Museum. |2 swd |
| 650 | 1 | 7 | |a Sponsoring. |2 gtt |
| 650 | 1 | 7 | |a Cultuurspreiding. |2 gtt |
| 650 | 7 | |a Sponsoring |2 gnd | |
| 650 | 7 | |a Museum |2 gnd | |
| 650 | 7 | |a Kultursponsoring |2 gnd | |
| 650 | 7 | |a Museums |x Economic aspects. |2 fast |0 (OCoLC)fst01030156 | |
| 650 | 7 | |a Cultural policy. |2 fast |0 (OCoLC)fst00885007 | |
| 650 | 7 | |a Corporate sponsorship. |2 fast |0 (OCoLC)fst00879716 | |
| 650 | 7 | |a Arts |x Economic aspects. |2 fast |0 (OCoLC)fst00817743 | |
| 650 | 7 | |a Art patronage. |2 fast |0 (OCoLC)fst00815756 | |
| 650 | 7 | |a BUSINESS & ECONOMICS |x Public Relations. |2 bisacsh | |
| 650 | 7 | |a patronage. |2 aat | |
| 650 | 6 | |a Parrainage publicitaire |z Allemagne |v Études de cas. | |
| 650 | 6 | |a Arts |x Aspect economique. | |
| 650 | 6 | |a Musees |x Aspect economique. | |
| 650 | 6 | |a Parrainage publicitaire. | |
| 650 | 6 | |a Mecenat. | |
| 650 | 0 | |a Corporate sponsorship |z Germany |v Case studies. | |
| 650 | 0 | |a Arts |x Economic aspects. | |
| 650 | 0 | |a Museums |x Economic aspects. | |
| 650 | 0 | |a Corporate sponsorship. | |
| 650 | 0 | |a Art patronage. | |
| 651 | 7 | |a Germany. |2 fast |0 (OCoLC)fst01210272 | |
| 651 | 6 | |a Allemagne |x Politique culturelle. | |
| 651 | 0 | |a Germany |x Cultural policy. | |
| 655 | 7 | |a Case studies. |2 fast |0 (OCoLC)fst01423765 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31668/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||