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Consuming Modernity : Public Culture in a South Asian World
Illustrates that what is distinctive of any particular society is not the fact of its modernity, but rather its own unique debates about modernity. The contributors address the roles intertwined interests in the making of India's public culture, each examining different sites of consumption. Th...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
1995.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
| LEADER | 00000cam a22000004a 4500 | ||
|---|---|---|---|
| 001 | musev2_31648 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905043337.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 091207s1995 mnu o 00 0 eng d | ||
| 020 | |a 9780816685325 | ||
| 020 | |z 9780816623068 | ||
| 020 | |z 0816685320 | ||
| 035 | |a (OCoLC)123415065 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Breckenridge, Carol Appadurai, |d 1942-2009. | |
| 245 | 1 | 0 | |a Consuming Modernity : |b Public Culture in a South Asian World |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 1995. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©1995. | |
| 300 | |a 1 online resource (272 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a Preface; One. Public Modernity in India; Part I. The Historical Past; Two. Playing with Modernity: The Decolonization of Indian Cricket; Three. Upon the Subdominant: Administering Music on All-India Radio; Four. The Indian Princes as Fantasy: Palace Hotels, Palace Museums, and Palace on Wheels; Five. Dining Out in Bombay; Part II. The Historical Present; Six. Consuming Utopia: Film Watching in Tamil Nadu; Seven. Melodrama and the Negotiation of Morality in Mainstream Hindi Film; Eight. Repositioning the Body, Practice, Power, and Self in an Indian Martial Art. | |
| 520 | |a Illustrates that what is distinctive of any particular society is not the fact of its modernity, but rather its own unique debates about modernity. The contributors address the roles intertwined interests in the making of India's public culture, each examining different sites of consumption. The sites they explore include cinema, radio, cricket, restaurants, and tourism. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Popular culture. |2 fast |0 (OCoLC)fst01071344 | |
| 650 | 7 | |a Manners and customs. |2 fast |0 (OCoLC)fst01007815 | |
| 650 | 6 | |a Culture populaire |z Inde. | |
| 650 | 0 | |a Popular culture |z India. | |
| 651 | 7 | |a India. |2 fast |0 (OCoLC)fst01210276 | |
| 651 | 6 | |a Inde |x Moeurs et coutumes. | |
| 651 | 0 | |a India |x Social life and customs. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31648/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Asian and Pacific Studies Supplement II | ||
| 945 | |a Project MUSE - Archive Archaeology and Anthropology Supplement III | ||