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Contract With The Skin : Masochism, Performance Art, and the 1970s /
Focusing on 1970s performance artists Vito Acconci, Chris Burden, Gina Pane, and collaborators Marina Abramovi`c[accent over c]/Ulay as well as those with similar sensibilities from the late 1980s onward (Bob Flanagan, David Wojnarowicz, Simon Leung, Catherine Opie, Ron Athey, Lutz Bacher, and Robby...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Minneapolis :
University of Minnesota Press,
1998.
|
| Colección: | Book collections on Project MUSE.
|
| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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|---|---|---|---|
| 001 | musev2_31637 | ||
| 003 | MdBmJHUP | ||
| 005 | 20230905043336.0 | ||
| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 971015s1998 mnu o 00 0 eng d | ||
| 020 | |a 9780816687794 | ||
| 020 | |z 9780816628872 | ||
| 020 | |z 081668779X | ||
| 035 | |a (OCoLC)191944195 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a O'Dell, Kathy. | |
| 245 | 1 | 0 | |a Contract With The Skin : |b Masochism, Performance Art, and the 1970s / |c Kathy O'Dell. |
| 264 | 1 | |a Minneapolis : |b University of Minnesota Press, |c 1998. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©1998. | |
| 300 | |a 1 online resource (144 pages): |b illustrations | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a LIST OF ILLUSTRATIONS; PREFACE; 1 HE GOT SHOT; 2 HIS MOUTH/HER SKIN; 3 MY MIRROR; 4 THEIR BEDS; 5 HOME AGAIN; 6 CONCLUSION; NOTES; SELECTED BIBLIOGRAPHY; INDEX. | |
| 520 | |a Focusing on 1970s performance artists Vito Acconci, Chris Burden, Gina Pane, and collaborators Marina Abramovi`c[accent over c]/Ulay as well as those with similar sensibilities from the late 1980s onward (Bob Flanagan, David Wojnarowicz, Simon Leung, Catherine Opie, Ron Athey, Lutz Bacher, and Robby Garfinkel), O'Dell provides photographic documentation of performances and quotations from interviews with many of the artists. Throughout, O'Dell asks what we can do about the institutionalized forms of masochism for which these performances are metaphors. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 1 | 7 | |a Bodyart. |2 gtt |
| 650 | 1 | 7 | |a Performances. |2 gtt |
| 650 | 7 | |a Performance art. |2 fast |0 (OCoLC)fst01057852 | |
| 650 | 7 | |a Masochism in art. |2 fast |0 (OCoLC)fst01011135 | |
| 650 | 7 | |a ART |x Criticism & Theory. |2 bisacsh | |
| 650 | 7 | |a ART |x Performance. |2 bisacsh | |
| 650 | 7 | |a ART |x Reference. |2 bisacsh | |
| 650 | 6 | |a Masochisme dans l'art. | |
| 650 | 0 | |a Masochism in art. | |
| 650 | 0 | |a Performance art. | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31637/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||