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Music for the Melodramatic Theatre in Nineteenth-Century London and New York

Throughout the nineteenth century, people heard more music in the theatre-accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller-than th...

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Detalles Bibliográficos
Autor principal: Pisani, Michael V.
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Iowa City : University of Iowa Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Pisani, Michael V. 
245 1 0 |a Music for the Melodramatic Theatre in Nineteenth-Century London and New York 
264 1 |a Iowa City :  |b University of Iowa Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2014. 
300 |a 1 online resource (414 pages). 
336 |a text  |b txt  |2 rdacontent 
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338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Studies Theatre Hist & Culture 
505 0 |a Acknowledgments; Introduction; Part One: Forging a New Musico-Dramatic Genre; 1. The Eighteenth-Century Roots of Melos; 2. The Rise of Melodrama in the Age of Revolution; 3. The Early Popular Drama in the Public Theatres; Part Two: Propagating the Popular Drama; 4. The Anglo-American Melodrama and Its Music; 5. Victorian Theatre Bands and Their Leaders; 6. The Craft of Melos in Rehearsal and Performance; 7. Music, Suspense, and the Sensation Drama; Part Three: Transforming the Popular Drama; 8. Melos in Crisis; 9. Nationalism, "Prestige Music," and Irving's Lyceum. 
505 0 |a 10. Melodrama and Glamour at Century's EndConclusion. The Legacy of Melos; Notes; Index. 
520 |a Throughout the nineteenth century, people heard more music in the theatre-accompanying popular dramas such as Frankenstein, Oliver Twist, Uncle Tom's Cabin, Lady Audley's Secret, The Corsican Brothers, The Three Musketeers, as well as historical romances by Shakespeare and Schiller-than they did in almost any other area of their lives. But unlike film music, theatrical music has received very little attention from scholars and so it has been largely lost to us. In this groundbreaking study, Michael V. Pisani goes in search of these abandoned sound. 
588 |a Description based on print version record. 
650 7 |a Dramatic music.  |2 fast  |0 (OCoLC)fst00897546 
650 7 |a PERFORMING ARTS  |x Theater  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 6 |a Musique de scene  |z Angleterre  |z Londres  |x Histoire et critique. 
650 0 |a Dramatic music  |z England  |z London  |x History and criticism. 
651 7 |a England  |z London.  |2 fast  |0 (OCoLC)fst01204271 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
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856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/31220/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Film, Theater and Performing Arts 
945 |a Project MUSE - 2014 Complete