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Listening to Reason : Culture, Subjectivity, and Nineteenth-Century Music /
This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not on...
| Autor principal: | |
|---|---|
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Princeton, N.J. :
Princeton University Press,
2004.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 006 | m o d | ||
| 007 | cr||||||||nn|n | ||
| 008 | 100913s2004 nju o 00 0 eng d | ||
| 010 | |z 2003053592 | ||
| 020 | |a 9781400835737 | ||
| 020 | |z 9780691126166 | ||
| 020 | |z 9780691116853 | ||
| 035 | |a (OCoLC)663891322 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 100 | 1 | |a Steinberg, Michael P. | |
| 245 | 1 | 0 | |a Listening to Reason : |b Culture, Subjectivity, and Nineteenth-Century Music / |c Michael P. Steinberg. |
| 264 | 1 | |a Princeton, N.J. : |b Princeton University Press, |c 2004. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2004. | |
| 300 | |a 1 online resource (264 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 505 | 0 | |a List of Illustrations; Preface; INTRODUCTION; Staging Subjectivity in the Mozart / Da Ponte Operas; Beethoven: Heroism and Abstraction; Canny and Uncanny Histories in Biedermeier Music; The Family Romances of Music Drama; The Voice of the People at the Moment of the Nation; Minor Modernisms; Index. | |
| 520 | |a This pathbreaking work reveals the pivotal role of music--musical works and musical culture--in debates about society, self, and culture that forged European modernity through the "long nineteenth century." Michael Steinberg argues that, from the late 1700s to the early 1900s, music not only reflected but also embodied modern subjectivity as it increasingly engaged and criticized old regimes of power, belief, and representation. His purview ranges from Mozart to Mahler, and from the sacred to the secular, including opera as well as symphonic and solo instrumental music. Defining subjectivity a. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Subjectivity in music. |2 fast |0 (OCoLC)fst01136581 | |
| 650 | 7 | |a Music |2 fast |0 (OCoLC)fst01030269 | |
| 650 | 7 | |a MUSIC |x History & Criticism. |2 bisacsh | |
| 650 | 6 | |a Subjectivite dans la musique. | |
| 650 | 6 | |a Musique |y 19e siecle |x Histoire et critique. | |
| 650 | 0 | |a Subjectivity in music. | |
| 650 | 0 | |a Music |y 19th century |x History and criticism. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/31090/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive History Supplement III | ||