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Eco-Joyce : The Environmental Imagination of James Joyce

This collection introduces and examines the overarching ecological consciousness evinced in the writings of James Joyce. Reading Joyce with a keen attention to the manner in which the natural and built environment functions as context, horizon, threat, or site of liberation in Joyce{u2019}s writing...

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Detalles Bibliográficos
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Cork, Ireland : Cork Univ Pr, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo
Tabla de Contenidos:
  • Introduction: James Joyce and ecocriticism / Robert Brazeau and Derek Gladwin
  • I Nature and environmental consciousness in Joyce's fiction
  • James Joyce, climate change and the threat to our 'national substance' / Fiona Becket
  • Joyce and the everynight / Cheryl Temple Herr
  • Joyce, ecofeminism and the river as woman / Bonnie Kime Scott
  • Word and world: the ecology of the pun in Finnegans Wake / Erin Walsh
  • The tree wedding and the (eco)politics of Irish forestry in 'cyclops': history, language and the viconian politics of the forest / Yi-Peng Lai
  • II Joyce and the urban environment
  • Negative ecocritical visions in 'wandering rocks' / Margot Norris
  • Joyce beyond the pale / Brandon Kershner
  • 'Aquacities of thought and language': the political ecology of water in Ulysses / Greg Winston
  • 'Clacking along the concrete pavement': economic isolation and the bricolage of place in James Joyce's Dubliners / Christine Cusick
  • Joyce the travel writer: space, place and the environment in James Joyce's nonfiction / Derek Gladwin
  • III Joyce, somatic ecology and the body
  • 'Can excrement be art... if not, why now?' Joyce's aesthetic theory and the flux of consciousness / Eugene O'Brien
  • Environment and embodiment in Joyce's 'The Dead' / Robert Brazeau
  • 'Sunflawered' humanity in Finnegan's Wake: nature, existential shame and transcedence / James Fairhall
  • Ineluctable modality of the visible: 'nature' and spectacle in 'Proteus' / Garry Leonard.