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Music Along the Rapidan : Civil War Soldiers, Music, and Community during Winter Quarters, Virginia /

In December 1863, Civil War soldiers took refuge from the dismal conditions of war and weather. They made their winter quarters in the Piedmont region of central Virginia: the Union's Army of the Potomac in Culpeper County and the Confederacy's Army of Northern Virginia in neighboring Oran...

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Detalles Bibliográficos
Autor principal: Davis, James A. (James Andrew), 1962- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lincoln : University of Nebraska Press, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Davis, James A.  |q (James Andrew),  |d 1962-  |e author. 
245 1 0 |a Music Along the Rapidan :   |b Civil War Soldiers, Music, and Community during Winter Quarters, Virginia /   |c James A. Davis. 
264 1 |a Lincoln :  |b University of Nebraska Press,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2014. 
300 |a 1 online resource (360 pages). 
336 |a text  |b txt  |2 rdacontent 
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505 0 |a Winter quarters in Virginia, 1863-1864 -- Music and the community of soldiers -- Music and the military community -- Military balls and the officers' community -- Soldiers, music, and the civilian community -- Music and the religious community -- Brass bands and the intersection of musical communities. 
520 |a In December 1863, Civil War soldiers took refuge from the dismal conditions of war and weather. They made their winter quarters in the Piedmont region of central Virginia: the Union's Army of the Potomac in Culpeper County and the Confederacy's Army of Northern Virginia in neighboring Orange County. For the next six months the opposing soldiers eyed each other warily across the Rapidan River. In Music Along the Rapidan James A. Davis examines the role of music in defining the social communities that emerged during this winter encampment. Music was an essential part of each soldier's personal identity, and Davis considers how music became a means of controlling the acoustic and social cacophony of war that surrounded every soldier nearby. Music also became a touchstone for colliding communities during the encampment--the communities of enlisted men and officers or Northerners and Southerners on the one hand and the shared communities occupied by both soldier and civilian on the other. The music enabled them to define their relationships and their environment, emotionally, socially, and audibly. 
588 |a Description based on print version record. 
651 7 |a Virginia.  |2 fast  |0 (OCoLC)fst01204597 
651 6 |a Virginie  |x Histoire  |y 1861-1865 (Guerre de Secession)  |x Aspect social. 
651 0 |a Virginia  |x History  |y Civil War, 1861-1865  |x Social aspects. 
651 0 |a Virginia  |x History  |y Civil War, 1861-1865  |x Music and the War. 
650 7 |a Social aspects.  |2 fast  |0 (OCoLC)fst01354981 
650 7 |a Music and war.  |2 fast  |0 (OCoLC)fst01030492 
650 7 |a HISTORY  |z United States  |x Civil War Period (1850-1877)  |2 bisacsh 
650 7 |a HISTORY  |z United States  |x State & Local  |x General.  |2 bisacsh 
655 7 |a History.  |2 fast  |0 (OCoLC)fst01411628 
655 0 |a Electronic book. 
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710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/30998/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 US Regional Studies, South 
945 |a Project MUSE - 2014 Complete