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Reclaiming Late-Romantic Music : Singing Devils and Distant Sounds /

Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally sel...

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Detalles Bibliográficos
Autor principal: Franklin, Peter (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Berkeley : University of California Press, [2014]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Franklin, Peter,  |e author. 
245 1 0 |a Reclaiming Late-Romantic Music :   |b Singing Devils and Distant Sounds /   |c Peter Franklin. 
264 1 |a Berkeley :  |b University of California Press,  |c [2014] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©[2014] 
300 |a 1 online resource (214 pages):   |b illustrations 
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490 0 |a Ernest Bloch lectures 
505 0 |a Setting the scene : grandiose symphonics and the trouble with art -- Pessimism, ecstasy and distant voices : listening to late-romanticism -- Sunsets, sunrises and decadent oceanics -- Making the world weep (more problems with opera) -- Late romanticism meets classical music at the movies -- The bitter truth of modernism : a late-romantic story. 
520 |a Why are some of the most beloved and frequently performed works of the late-romantic period-Mahler, Delius, Debussy, Sibelius, Puccini-regarded by many critics as perhaps not quite of the first rank? Why has modernist discourse continued to brand these works as overly sentimental and emotionally self-indulgent? Peter Franklin takes a close and even-handed look at how and why late-romantic symphonies and operas steered a complex course between modernism and mass culture in the period leading up to the Second World War. The style's continuing popularity and its domination of the film music idiom. 
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945 |a Project MUSE - 2014 Complete