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140405s2014 cau o 00 0 eng d |
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|z 2013037614
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|a 9780520958517
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|z 0520958519
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|z 9780520280670
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|a (OCoLC)875820421
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|a MdBmJHUP
|c MdBmJHUP
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100 |
1 |
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|a Smith, Jeff,
|d 1962 December 17-
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245 |
1 |
0 |
|a Film Criticism, the Cold War, and the Blacklist :
|b Reading the Hollywood Reds
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264 |
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1 |
|a Berkeley :
|b University of California Press,
|c 2014.
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264 |
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3 |
|a Baltimore, Md. :
|b Project MUSE,
|c 2014
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264 |
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|c ©2014.
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300 |
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|a 1 online resource (352 pages).
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336 |
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Cover; FILM CRITICISM, THE COLD WAR, AND THE BLACKLIST; Title; Copyright; Contents; List of Illustrations; List of Tables; Acknowledgments; Introduction: What More Can Be Said about the Hollywood Blacklist?; 1. A Bifocal View of Hollywood during the Blacklist Period: Film as Propaganda and Allegory; 2. I Was a Communist for RKO: Hollywood Anti-Communism and the Problem of Representing Political Beliefs; 3. Reds and Blacks: Representing Race in Anti-Communist Films; 4. Stoolies, Cheese-Eaters, and Tie Sellers: Genre, Allegory, and the HUAC Informer.
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505 |
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|a 5. The Cross and the Sickle: Allegorical Representations of the Blacklist in Historical Films6. Roaming the Plains along the "New Frontier": The Western as Allegory of the Blacklist and the Cold War; 7. Loving the Alien: Science Fiction Cinema as Cold War Allegory; Conclusion: Old Wounds and the Texas Sharpshooter; Notes; Bibliography; Index.
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520 |
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|a Film Criticism, the Cold War, and the Blacklist examines the long-term reception of several key American films released during the postwar period, focusing on the two main critical lenses used in the interpretation of these films: propaganda and allegory. Produced in response to the hearings held by the House Committee on Un-American Activities (HUAC) that resulted in the Hollywood blacklist, these films' ideological message and rhetorical effectiveness was often muddled by the inherent difficulties in dramatizing villains defined by their thoughts and belief systems rather than their a.
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588 |
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|a Description based on print version record.
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650 |
|
7 |
|a Motion pictures
|x Political aspects.
|2 fast
|0 (OCoLC)fst01027353
|
650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
|
7 |
|a Communism and motion pictures.
|2 fast
|0 (OCoLC)fst00870516
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650 |
|
7 |
|a Cold War (1945-1989) in motion pictures.
|2 fast
|0 (OCoLC)fst00866989
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650 |
|
7 |
|a Blacklisting of entertainers.
|2 fast
|0 (OCoLC)fst00833874
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650 |
|
7 |
|a PERFORMING ARTS
|x Film & Video
|x General.
|2 bisacsh
|
650 |
|
7 |
|a PERFORMING ARTS
|x Reference.
|2 bisacsh
|
650 |
|
6 |
|a Listes noires d'artistes du spectacle
|z États-Unis
|x Histoire
|y 20e siecle.
|
650 |
|
6 |
|a Communisme et cinema
|z États-Unis.
|
650 |
|
6 |
|a Guerre froide au cinema.
|
650 |
|
6 |
|a Cinema
|z États-Unis
|x Histoire
|y 20e siecle.
|
650 |
|
0 |
|a Blacklisting of entertainers
|z United States
|x History
|y 20th century.
|
650 |
|
0 |
|a Communism and motion pictures
|z United States.
|
650 |
|
0 |
|a Cold War in motion pictures.
|
650 |
|
0 |
|a Motion pictures
|z United States
|x History
|y 20th century.
|
650 |
|
0 |
|a Motion pictures
|x Political aspects
|z United States.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
|
655 |
|
0 |
|a Electronic book.
|
655 |
|
7 |
|a Electronic books.
|2 local
|
710 |
2 |
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|a Project Muse.
|e distributor
|
830 |
|
0 |
|a Book collections on Project MUSE.
|
856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/30541/
|
945 |
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|a Project MUSE - Custom Collection
|
945 |
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|a Project MUSE - 2014 Film, Theater and Performing Arts
|
945 |
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|a Project MUSE - 2014 Complete
|