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090523s2005 nju o 00 0 eng d |
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|a 9781400826711
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|z 9780691134741
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|z 9780691116181
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|a (OCoLC)344105674
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|a MdBmJHUP
|c MdBmJHUP
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1 |
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|a Vendler, Helen,
|d 1933-
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|a Invisible Listeners :
|b Lyric Intimacy in Herbert, Whitman, and Ashbery /
|c Helen Vendler.
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264 |
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|a Princeton, N.J. :
|b Princeton University Press,
|c 2005.
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264 |
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2005.
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|a 1 online resource (112 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
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|a ACKNOWLEDGMENTS; INTRODUCTION: Invisible Listeners; ONE: George Herbert and God; TWO: Walt Whitman and the Reader-in-Futurity; THREE: John Ashbery and the Artist of the Past; CONCLUSION: Domesticating the Unseen; NOTES; INDEX.
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|a When a poet addresses a living person--whether friend or enemy, lover or sister--we recognize the expression of intimacy. But what impels poets to leap across time and space to speak to invisible listeners, seeking an ideal intimacy--George Herbert with God, Walt Whitman with a reader in the future, John Ashbery with the Renaissance painter Francesco Parmigianino? In Invisible Listeners, Helen Vendler argues that such poets must invent the language that will enact, on the page, an intimacy they lack in life. Through brilliantly insightful and gracefully written readings of these three great poe.
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|a Description based on print version record.
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600 |
1 |
7 |
|a Whitman, Walt,
|d 1819-1892
|2 fast
|0 (OCoLC)fst00039575
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600 |
1 |
7 |
|a Herbert, George,
|d 1593-1633
|2 fast
|0 (OCoLC)fst00051875
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600 |
1 |
7 |
|a Ashbery, John,
|d 1927-2017
|2 fast
|0 (OCoLC)fst01427403
|
600 |
1 |
1 |
|a Whitman, Walt,
|d 1819-1892
|x Criticism and interpretation.
|
600 |
1 |
1 |
|a Herbert, George,
|d 1593-1633
|x Criticism and interpretation.
|
600 |
1 |
1 |
|a Ashbery, John,
|d 1927-
|x Criticism and interpretation.
|
600 |
1 |
0 |
|a Ashbery, John,
|d 1927-2017
|x Criticism and interpretation.
|
600 |
1 |
0 |
|a Herbert, George,
|d 1593-1633
|x Criticism and interpretation.
|
600 |
1 |
0 |
|a Whitman, Walt,
|d 1819-1892
|x Criticism and interpretation.
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650 |
|
7 |
|a Reader-response criticism.
|2 fast
|0 (OCoLC)fst01090552
|
650 |
|
7 |
|a Lyric poetry.
|2 fast
|0 (OCoLC)fst01004373
|
650 |
|
7 |
|a Intimacy (Psychology) in literature.
|2 fast
|0 (OCoLC)fst00977725
|
650 |
|
7 |
|a God in literature.
|2 fast
|0 (OCoLC)fst00944174
|
650 |
|
7 |
|a Authors and readers.
|2 fast
|0 (OCoLC)fst00821738
|
650 |
|
7 |
|a American poetry.
|2 fast
|0 (OCoLC)fst00807348
|
650 |
|
7 |
|a LITERARY CRITICISM
|x Poetry.
|2 bisacsh
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650 |
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6 |
|a Écrivains et lecteurs
|z Angleterre.
|
650 |
|
6 |
|a Écrivains et lecteurs
|z États-Unis.
|
650 |
|
6 |
|a Dieu dans la litterature.
|
650 |
|
6 |
|a Esthetique de la reception.
|
650 |
|
6 |
|a Écrivains et lecteurs
|z Angleterre
|x Histoire.
|
650 |
|
6 |
|a Écrivains et lecteurs
|z États-Unis
|x Histoire.
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650 |
|
6 |
|a Poesie lyrique
|x Histoire et critique.
|
650 |
|
6 |
|a Intimite dans la litterature.
|
650 |
|
6 |
|a Poesie americaine
|x Histoire et critique.
|
650 |
|
0 |
|a Authors and readers
|z England
|x History.
|
650 |
|
0 |
|a Authors and readers
|z United States
|x History.
|
650 |
|
0 |
|a God in literature.
|
650 |
|
0 |
|a Reader-response criticism.
|
650 |
|
0 |
|a Authors and readers
|z England.
|
650 |
|
0 |
|a Authors and readers
|z United States.
|
650 |
|
0 |
|a Lyric poetry
|x History and criticism.
|
650 |
|
0 |
|a Intimacy (Psychology) in literature.
|
650 |
|
0 |
|a American poetry
|x History and criticism.
|
651 |
|
7 |
|a United States.
|2 fast
|0 (OCoLC)fst01204155
|
651 |
|
7 |
|a England.
|2 fast
|0 (OCoLC)fst01219920
|
655 |
|
7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Electronic books.
|2 local
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710 |
2 |
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|a Project Muse.
|e distributor
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830 |
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0 |
|a Book collections on Project MUSE.
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856 |
4 |
0 |
|z Texto completo
|u https://projectmuse.uam.elogim.com/book/29976/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - Archive Complete Supplement III
|
945 |
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|a Project MUSE - Archive Literature Supplement III
|