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Disorienting Fiction : The Autoethnographic Work of Nineteenth-Century British Novels /

This book gives a revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century n...

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Detalles Bibliográficos
Autor principal: Buzard, James
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, 2005.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Buzard, James. 
245 1 0 |a Disorienting Fiction :   |b The Autoethnographic Work of Nineteenth-Century British Novels /   |c James Buzard. 
264 1 |a Princeton, N.J. :  |b Princeton University Press,  |c 2005. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2005. 
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505 0 |a Uneven developments: "Culture," circa 2000 and 1900 -- Ethnographic locations and dislocations -- The fiction of autoethnography -- Translation and tourism in Scott's Waverley -- Anywhere's nowhere: Bleak House as metropolitan autoethnography -- Identities, locations, and media -- An Echantillon of Englishness: The Professor -- The wild English girl: Jane Eyre -- National Pentecostalism: Shirley -- Outlandish nationalism: Villette -- Eliot, interrupted -- Ethnography as interruption: Morris's News from nowhere. 
520 |a This book gives a revisionist account of the nineteenth-century British novel and its role in the complex historical process that ultimately gave rise to modern anthropology's concept of culture and its accredited researcher, the Participant Observer. Buzard reads the great nineteenth-century novels of Charles Dickens, Charlotte Brontë, George Eliot, and others as "metropolitan autoethnographies" that began to exercise and test the ethnographic imagination decades in advance of formal modern ethnography--and that did so while focusing on Western European rather than on distant Oriental subjects. --From publisher's description. 
588 |a Description based on print version record. 
650 1 7 |a Romans.  |2 gtt 
650 7 |a Social isolation in literature.  |2 fast  |0 (OCoLC)fst01122602 
650 7 |a Self in literature.  |2 fast  |0 (OCoLC)fst01111462 
650 7 |a Outsiders in literature.  |2 fast  |0 (OCoLC)fst01049263 
650 7 |a National characteristics, British, in literature.  |2 fast  |0 (OCoLC)fst01033382 
650 7 |a English fiction.  |2 fast  |0 (OCoLC)fst00910817 
650 7 |a Difference (Psychology) in literature.  |2 fast  |0 (OCoLC)fst00893417 
650 7 |a Culture in literature.  |2 fast  |0 (OCoLC)fst00885113 
650 7 |a Alienation (Social psychology) in literature.  |2 fast  |0 (OCoLC)fst00805273 
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650 6 |a Moi (Psychologie) dans la litterature. 
650 6 |a Culture dans la litterature. 
650 6 |a Étrangers dans la litterature. 
650 6 |a Isolement social dans la litterature. 
650 6 |a Alienation (Psychologie sociale) dans la litterature. 
650 6 |a Britanniques dans la litterature. 
650 6 |a Roman anglais  |y 19e siecle  |x Histoire et critique. 
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650 0 |a Culture in literature. 
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650 0 |a Social isolation in literature. 
650 0 |a Difference (Psychology) in literature. 
650 0 |a Alienation (Social psychology) in literature. 
650 0 |a National characteristics, British, in literature. 
650 0 |a English fiction  |y 19th century  |x History and criticism. 
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945 |a Project MUSE - Archive Literature Supplement III