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Music as Thought : Listening to the Symphony in the Age of Beethoven /

Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrument...

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Detalles Bibliográficos
Autor principal: Bonds, Mark Evan
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Princeton, N.J. : Princeton University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 1 0 |a Music as Thought :   |b Listening to the Symphony in the Age of Beethoven /   |c Mark Evan Bonds. 
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264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
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505 0 |a Prologue. An unlikely genre : the rise of the symphony -- Listening with imagination : the revolution in aesthetics. From Kant to Hoffmann ; Idealism and the changing perception of perception ; Idealism and the new aesthetics of listening -- Listening as thinking : from rhetoric to philosophy. Listening in a rhetorical framework ; Listening in a philosophical framework ; Art as philosophy -- Listening to truth : Beethoven's Fifth Symphony. The infinite sublime ; History as knowing ; The synthesis of conscious and unconscious ; Organic coherence ; Beyond the sublime -- Listening to the aesthetic state : cosmopolitanism. The communal voice of the symphony ; The imperatives of individual and social synthesis ; The state as organism ; Schiller's idea of the aesthetic state ; Goethe's pedagogical province -- Listening to the German State : nationalism. German nationalism ; The symphony as a 'German' genre ; The performance politics of the music festival ; The symphony as democracy -- Epilogue. Listening to form : the refuge of absolute music. 
520 |a Before the nineteenth century, instrumental music was considered inferior to vocal music. Kant described wordless music as "more pleasure than culture," and Rousseau dismissed it for its inability to convey concepts. But by the early 1800s, a dramatic shift was under way. Purely instrumental music was now being hailed as a means to knowledge and embraced precisely because of its independence from the limits of language. What had once been perceived as entertainment was heard increasingly as a vehicle of thought. Listening had become a way of knowing. Music as Thought traces the roots of this f. 
546 |a English. 
588 |a Description based on print version record. 
650 7 |a Music  |x Philosophy and aesthetics.  |2 nli 
650 7 |a Music appreciation.  |2 nli 
650 7 |a Symphony  |y 19th century.  |2 nli 
650 7 |a Rezeption  |2 gnd 
650 7 |a Sinfonie  |2 gnd 
650 7 |a Musikästhetik  |2 gnd 
650 7 |a Symphony.  |2 fast  |0 (OCoLC)fst01140966 
650 7 |a Music  |x Philosophy and aesthetics.  |2 fast  |0 (OCoLC)fst01030408 
650 7 |a Music appreciation.  |2 fast  |0 (OCoLC)fst01030494 
650 7 |a Music  |y 19th century.  |2 blmlsh 
650 7 |a Music  |y 18th century.  |2 blmlsh 
650 7 |a Symphony.  |2 blmlsh 
650 7 |a MUSIC  |x Genres & Styles  |x Classical.  |2 bisacsh 
650 6 |a Musique  |x Philosophie et esthetique. 
650 6 |a Musique  |x Appreciation. 
650 6 |a Symphonie  |y 19e siecle. 
650 0 |a Music  |x Philosophy and aesthetics. 
650 0 |a Music appreciation. 
650 0 |a Symphony  |y 19th century. 
600 1 7 |a Beethoven  |x Ludwig van  |x 1770-1827  |x Criticism and interpretation.  |2 blmlsh 
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945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III