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The Pekin : The Rise and Fall of Chicago's First Black-Owned Theater /

"In 1904, political operator and gambling boss Robert T. Motts opened the Pekin Theater in Chicago. Dubbed the "Temple of Music," the Pekin became one of the country's most prestigious African American cultural institutions, renowned for its all-black stock company and school for...

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Detalles Bibliográficos
Autor principal: Bauman, Thomas, 1948- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Urbana : University of Illinois Press, [2014]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Bauman, Thomas,  |d 1948-  |e author. 
245 1 4 |a The Pekin :   |b The Rise and Fall of Chicago's First Black-Owned Theater /   |c Thomas Bauman. 
264 1 |a Urbana :  |b University of Illinois Press,  |c [2014] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©[2014] 
300 |a 1 online resource (264 pages). 
336 |a text  |b txt  |2 rdacontent 
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490 0 |a The new black studies series 
505 0 |a The temple of music -- The New Pekin -- Tacking to the wind -- Holding the stroll -- Motts's last years -- From pillar to post -- Epilogue: diaspora. 
520 |a "In 1904, political operator and gambling boss Robert T. Motts opened the Pekin Theater in Chicago. Dubbed the "Temple of Music," the Pekin became one of the country's most prestigious African American cultural institutions, renowned for its all-black stock company and school for actors, an orchestra able to play ragtime and opera with equal brilliance, and a repertoire of original musical comedies. A missing chapter in African American theatrical history, Bauman's saga presents how Motts used his entrepreneurial acumen to create a successful black-owned enterprise. Concentrating on institutional history, Bauman explores the Pekin's philosophy of hiring only African American staff, its embrace of multi-racial upper class audiences, and its ready assumption of roles as diverse as community center, social club, and fundraising instrument. The Pekin's prestige and profitability faltered after Motts' death in 1911 as his heirs lacked his savvy, and African American elites turned away from pure entertainment in favor of spiritual uplift. But, as Bauman shows, the theater had already opened the door to a new dynamic of both intra- and inter-racial theater-going and showed the ways a success, like the Pekin, had a positive economic and social impact on the surrounding community."--Publisher's description 
588 |a Description based on print version record. 
610 2 7 |a Fürstliches Schauspielhaus  |g Bad Pyrmont  |2 gnd 
610 2 7 |a Pekin (Organization : Chicago, Ill.)  |2 fast  |0 (OCoLC)fst01995341 
610 2 0 |a Pekin (Organization : Chicago, Ill.)  |x History. 
650 7 |a Theater.  |2 fast  |0 (OCoLC)fst01149217 
650 7 |a African Americans in the performing arts.  |2 fast  |0 (OCoLC)fst00799740 
650 7 |a African American theater.  |2 fast  |0 (OCoLC)fst00799418 
650 7 |a HISTORY  |z United States  |y 20th Century.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Theater  |x General.  |2 bisacsh 
650 6 |a Noirs americains dans les arts du spectacle  |z Illinois  |z Chicago  |x Histoire  |y 20e siecle. 
650 6 |a Theâtre  |z Illinois  |z Chicago  |x Histoire  |y 20e siecle. 
650 6 |a Theâtre noir americain  |z Illinois  |z Chicago  |x Histoire  |y 20e siecle. 
650 0 |a African Americans in the performing arts  |z Illinois  |z Chicago  |x History  |y 20th century. 
650 0 |a Theater  |z Illinois  |z Chicago  |x History  |y 20th century. 
650 0 |a African American theater  |z Illinois  |z Chicago  |x History  |y 20th century. 
651 7 |a Chicago, Ill.  |2 gnd 
651 7 |a Illinois  |z Chicago.  |2 fast  |0 (OCoLC)fst01204048 
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945 |a Project MUSE - 2014 US Regional Studies, Midwest 
945 |a Project MUSE - 2014 Complete