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Unfolding Time : Studies in Temporality in Twentieth Century Music /

Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and ent...

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Detalles Bibliográficos
Clasificación:Libro Electrónico
Autores principales: Pace, Ian (Autor), Brubaker, Bruce, 1959- (Autor), Decroupet, Pascal (Autor), London, Justin (Autor), Delaere, Mark (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Baltimore, Maryland : Project Muse, 2014
Colección:Collected writings of the Orpheus Institute ; #8.
Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 0 |a Unfolding Time :   |b Studies in Temporality in Twentieth Century Music /   |c Mark Delaere, Justin London, Pascal Decroupet, Bruce Brubaker, Ian Pace. 
264 1 |a Baltimore, Maryland :  |b Project Muse,  |c 2014 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2015 
264 4 |c ©2014 
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337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Collected writings of the Orpheus Institute ;  |v no. 8 
500 |a Issued as part of book collections on Project MUSE. 
504 |a Includes bibliographical references. 
505 0 |a Tempo, meter, rhythm : time in twentieth-century music / Mark Delaere -- Temporal complexity in modern and post-modern music : a critique from cognitive aesthetics / Justin London -- Rhythms--Durations--Rhythmic cells--Groups : concepts of microlevel time-organisation in serial music and their consequences on shaping time on higher structural levels / Pascal Decroupet -- Time is time : temporal signifcation in music / Bruce Brubaker -- Notation, time and the performer's relationship to the score in contemporary music / Ian Pace. 
506 |a Access restricted to authorized users and institutions. 
520 |a Questions concerning music and its inextricably intertwined and complex interface with time continue to fascinate musicians and scholars. For performers, the primary perception of music is arguably the way in which it unfolds in "real time." For composers a work appears "whole and entire," with the presence of the score having the potential to compress, and even eliminate, the perception of time as "passing." The paradoxical relationship between these two perspectives, and the subtle mediations at the interface between them with which both performers and composers engage, form the subject matter of this collection of essays. The contributors address the temporal significance of specific topics such as notation, tempo, meter, and rhythm within broader contexts of performance, composition, aesthetics, and philosophy. The aim is to present novel ideas about music and time that provide particular insight into musical practice and the world of artistic research. 
588 |a Description based on print version record. 
650 0 |a Music theory  |y 20th century. 
650 0 |a Time in music. 
655 7 |a Electronic books.   |2 local 
700 1 |a Pace, Ian,  |e author. 
700 1 |a Brubaker, Bruce,  |d 1959-  |e author. 
700 1 |a Decroupet, Pascal,  |e author. 
700 1 |a London, Justin,  |e author. 
700 1 |a Delaere, Mark,  |e author. 
710 2 |a Project Muse,  |e distributor. 
776 1 8 |i Print version:  |z 9789058677358 
710 2 |a Project Muse.  |e distributor 
830 0 |a Collected writings of the Orpheus Institute ;  |v #8. 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/29214/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - Archive Complete Supplement III 
945 |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III