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The Early Modern Cultures of Neo-Latin Drama /
The essays in this collection all illustrate the vitality of Neo-Latin drama in early modern Europe, arising from its productive combination of classical models with deep-rooted vernacular traditions. While the plays were often composed in the context of a school or university setting, the dramatist...
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| Otros Autores: | , |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2013.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 020 | |a 9789461661289 | ||
| 020 | |z 9789058679260 | ||
| 035 | |a (OCoLC)873807000 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 1 | 4 | |a The Early Modern Cultures of Neo-Latin Drama / |c edited by Philip Ford and Andrew Taylor. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2013. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2013. | |
| 300 | |a 1 online resource (232 pages). | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Supplementa humanistica Lovaniensia ; |v XXXII | |
| 500 | |a International conference proceedings. | ||
| 505 | 0 | |a The Early Modern Cultures of Neo-Latin Drama; Copyright; Table of Contents; Introduction; Ravisius Textor's School Drama and its Links to Pedagogical Literature in Early Modern France; George Buchanan's Sacred Latin Tragedies Baptistes and Iephthes: What Place for Humankind in the Universe?; The Dramatisation of Contradiction; Some Elements of Traditional Ethics; Elements of Pagan Ethics; The Stamp of Christian Ethics; What Place for Humankind in the Universe?; Appendix: Summaries of Both Tragedies. | |
| 505 | 0 | |a La Traduction de Tragedies Grecques: Alessandro Pazzi de' Medici et Les Problemes Lies à la MetriqueJohn Foxe's Apocalyptic Comedy, Christus Triumphans; Lambertus Schenckelius's Tragoedia(e) Sanctae Catharinae; Balthasar Moretus's Account of Schenkelius's Tragoedia Sanctae Catharinae; The Tragoedia Sanctae Catharinae Preserved in Mechelen; Conclusion; The Terentius Christianus at Work: Cornelius Schonaeus as a Playwright. | |
| 505 | 0 | |a School Progymnasmata and Latin Drama: Thesis, Refutatio, Confirmatio and Lausin the Dialogue on the Conception of Our Lady (1578) by the Spanish Jesuit Bartholomaeus Bravo (1553 or 1554-1607)Performing in Latin in Jesuit-Run Colleges in Mid- to Late-17th-Century France: Why, and with What Consequences?; Introduction; Town Colleges in Seventeenth-Century France: Jesuits between Town and Crown; Town: Civic Obligations; Gown: Pedagogical Imperatives; Implications: Reception and Influence of Neo-Latin Drama in Late-Seventeenth-Century France. | |
| 505 | 0 | |a Similarities, Dissimilarities and Possible Relations between Early Modern Latin Drama and Drama in the VernacularIntroduction; Differences; Connections and Similarities; The theme of Everyman; The theme of King David; Conclusion; An Ignoramus about Latin? The Importance of Latin Literatures to George Ruggle's Ignoramus; 1. Introduction; 2. The Problem; 3. A Solution?; 4. Individual Lines; 5. Writing, Writers, Reading and Learners; 6. Sentiments and Sections; 7. Conclusion; 'Et Spes et Ratio Studiorum in Caesare Tantum': Robert Burton and Patronage. | |
| 505 | 0 | |a Simon Rettenpacher's Comedy Votorum Discordia'The Unacknowledged Legislators of Mankind': Greek Playwrights as Moral Guidance to Hugo Grotius's Social Philosophy; The Private Sphere; The Public Sphere; Laws of War; Index Nominum; Humanistica Lovaniensia; 1. Bibliographical References; 1.1. First Reference; 1.1.1. References to Books; 1.1.2. References to Articles in Journals; 1.1.3. References to Articles in Books; 1.1.4. References to Theses and Dissertations; 1.1.5. References to Manuscripts; 1.2. Later References; 2. Lay-out; 2.1. Quotations; 2.2. Footnotes. | |
| 520 | |a The essays in this collection all illustrate the vitality of Neo-Latin drama in early modern Europe, arising from its productive combination of classical models with deep-rooted vernacular traditions. While the plays were often composed in the context of a school or university setting, the dramatists seldom neglected the need to appeal to a broad audience, including non-Latinists. Yet the use of Latin, and the ambiguity of a plurivocal literary form, allowed the authors of these plays to introduce messages and ideas which could be subversive of the prevailing political and religious authoritie. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Latin drama, Medieval and modern. |2 fast |0 (OCoLC)fst00993115 | |
| 650 | 7 | |a LITERARY CRITICISM |x Renaissance. |2 bisacsh | |
| 650 | 7 | |a DRAMA |x Ancient, Classical & Medieval. |2 bisacsh | |
| 650 | 6 | |a Theâtre latin medieval et moderne |x Histoire et critique |v Congres. | |
| 650 | 0 | |a Latin drama, Medieval and modern |x History and criticism |v Congresses. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Conference papers and proceedings. |2 fast |0 (OCoLC)fst01423772 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Taylor, Andrew, |d 1964- |e editor. | |
| 700 | 1 | |a Ford, Philip, |d 1949-2013, |e editor. | |
| 710 | 2 | |a Cambridge Society for Neo-Latin Studies, |e sponsoring body. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/29182/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - 2013 Complete Supplement II | ||
| 945 | |a Project MUSE - 2013 Literature Supplement | ||