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The Philosophy of Michael Mann /

Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense...

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Detalles Bibliográficos
Otros Autores: Palmer, R. Barton, 1946- (Editor ), Skoble, Aeon J. (Editor ), Sanders, Steven, 1945- (Editor )
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington, Ky. : University Press of Kentucky, [2014]
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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245 0 4 |a The Philosophy of Michael Mann /   |c edited by Steven Sanders, Aeon J. Skoble, and R. Barton Palmer. 
264 1 |a Lexington, Ky. :  |b University Press of Kentucky,  |c [2014] 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©[2014] 
300 |a 1 online resource (284 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
490 0 |a Philosophy of popular culture 
505 0 |a An introduction to the philosophy of Michael Mann / Steven Sanders -- Michael Mann and nonplace: a Nietzschean element in Mann's modern crime films / Robert Arnett -- "Awakened to chaos": outsiders in The jericho mile and Thief / R. Barton Palmer -- Existential Mann / Steven Sanders -- "Do you see?": Reflecting on evil in Manhunter / Aeon J. Skoble -- Mann and Übermensch: evil and power in Manhunter / David Sterritt -- "Blood in the moonlight": toward an aesthetics of horror in The keep and Manhunter / Ivo Ritzer -- Style, meaning, and myth in Public enemies / Steven Rybin -- Interiorization in public enemies / Murray Pomerance -- Mannerism: neoclassical style in the films of Michael Mann / Tom Paulus and Vito Adriaensens -- The ethics of contracts, conscience, and courage in The insider / David LaRocca -- The commodification of justice: Michael Mann and postmodern law / Mark Wildermuth -- Subjectivity and the ethics of duty in Michael Mann's cinema / Aga Skrodzka -- Natural man, natural rights, and eros: conflicting visions of nature, society, and love in The last of the Mohicans / Alan Woolfolk -- Emotion, truth, and space in Heat / Jonah Corne -- Mann's biopics and the methodology of philosophy: Ali and The insider / David Rodríguez-Ruiz. 
520 |a Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works -- Ali (2001), Miami Vice (2006), and Public. 
546 |a English. 
588 |a Description based on print version record. 
600 1 7 |a Mann, Michael,  |d 1943-  |2 fast  |0 (OCoLC)fst00317147 
600 1 0 |a Mann, Michael,  |d 1943-  |x Criticism and interpretation. 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
655 7 |a Criticism, interpretation, etc.  |2 fast  |0 (OCoLC)fst01411635 
655 7 |a Electronic books.   |2 local 
700 1 |a Palmer, R. Barton,  |d 1946-  |e editor. 
700 1 |a Skoble, Aeon J.,  |e editor. 
700 1 |a Sanders, Steven,  |d 1945-  |e editor. 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/29146/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Film, Theater and Performing Arts 
945 |a Project MUSE - 2014 Complete