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140422s2014 kyu o 00 0 eng d |
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|a 9780813144733
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|z 9780813144719
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|z 9780813144726
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|a (OCoLC)877868041
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|a MdBmJHUP
|c MdBmJHUP
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|a The Philosophy of Michael Mann /
|c edited by Steven Sanders, Aeon J. Skoble, and R. Barton Palmer.
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|a Lexington, Ky. :
|b University Press of Kentucky,
|c [2014]
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|a Baltimore, Md. :
|b Project MUSE,
|c 2014
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|c ©[2014]
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|a 1 online resource (284 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Philosophy of popular culture
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|a An introduction to the philosophy of Michael Mann / Steven Sanders -- Michael Mann and nonplace: a Nietzschean element in Mann's modern crime films / Robert Arnett -- "Awakened to chaos": outsiders in The jericho mile and Thief / R. Barton Palmer -- Existential Mann / Steven Sanders -- "Do you see?": Reflecting on evil in Manhunter / Aeon J. Skoble -- Mann and Übermensch: evil and power in Manhunter / David Sterritt -- "Blood in the moonlight": toward an aesthetics of horror in The keep and Manhunter / Ivo Ritzer -- Style, meaning, and myth in Public enemies / Steven Rybin -- Interiorization in public enemies / Murray Pomerance -- Mannerism: neoclassical style in the films of Michael Mann / Tom Paulus and Vito Adriaensens -- The ethics of contracts, conscience, and courage in The insider / David LaRocca -- The commodification of justice: Michael Mann and postmodern law / Mark Wildermuth -- Subjectivity and the ethics of duty in Michael Mann's cinema / Aga Skrodzka -- Natural man, natural rights, and eros: conflicting visions of nature, society, and love in The last of the Mohicans / Alan Woolfolk -- Emotion, truth, and space in Heat / Jonah Corne -- Mann's biopics and the methodology of philosophy: Ali and The insider / David Rodríguez-Ruiz.
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|a Known for restoring vitality and superior craftsmanship to the crime thriller, American filmmaker Michael Mann has long been regarded as a talented triple threat capable of moving effortlessly between television and feature films as a writer, director, and executive producer. His unique visual sense and thematic approach are evident in the Emmy Award-winning The Jericho Mile (1979), the cult favorite The Keep (1983), the American epic The Last of the Mohicans (1992), and the Academy Award-nominated The Insider (1999) as well as his most recent works -- Ali (2001), Miami Vice (2006), and Public.
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|a English.
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|a Description based on print version record.
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1 |
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|a Mann, Michael,
|d 1943-
|2 fast
|0 (OCoLC)fst00317147
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600 |
1 |
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|a Mann, Michael,
|d 1943-
|x Criticism and interpretation.
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650 |
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|a PERFORMING ARTS
|x Reference.
|2 bisacsh
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655 |
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|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
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655 |
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|a Electronic books.
|2 local
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1 |
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|a Palmer, R. Barton,
|d 1946-
|e editor.
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|a Skoble, Aeon J.,
|e editor.
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|a Sanders, Steven,
|d 1945-
|e editor.
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2 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/29146/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2014 Film, Theater and Performing Arts
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945 |
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|a Project MUSE - 2014 Complete
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