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Partimento and Continuo Playing in Theory and in Practice /
This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interac...
| Otros Autores: | , , |
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| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Leuven :
Leuven University Press,
2010.
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| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 007 | cr||||||||nn|n | ||
| 008 | 140318s2010 be o 00 0 eng d | ||
| 020 | |a 9789461660947 | ||
| 020 | |z 9789058678287 | ||
| 035 | |a (OCoLC)873808658 | ||
| 040 | |a MdBmJHUP |c MdBmJHUP | ||
| 245 | 1 | 0 | |a Partimento and Continuo Playing in Theory and in Practice / |c Thomas Christensen [and others] ; [editors, Dirk Moelants, Kathleen Snyers]. |
| 264 | 1 | |a Leuven : |b Leuven University Press, |c 2010. | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2015 | |
| 264 | 4 | |c ©2010. | |
| 300 | |a 1 online resource (136 pages): |b illustrations, music | ||
| 336 | |a text |b txt |2 rdacontent | ||
| 337 | |a computer |b c |2 rdamedia | ||
| 338 | |a online resource |b cr |2 rdacarrier | ||
| 490 | 0 | |a Collected writings of the Orpheus Institute ; |v #9 | |
| 500 | |a Collected essays based on lectures given at the 4th International Orpheus Academy for Music Theory in 2006. | ||
| 505 | 0 | 0 | |t Thoroughbass as music theory / |r Thomas Christensen -- |t Partimenti written to impart knowledge of counterpoint and composition / |r Robert Gjerdingen -- |t Partimento-fugue: the Neapolitan angle / |r Giorgio Sanguinettti -- |t The playing of partimento / |r Rudolf Lutz. |
| 520 | |a This volume is a collection of essays based on lectures given at the International Orpheus Academy for Music Theory on 'Music and Theory: Thoroughbass in Practice, Theory, and Improvisation''. Hence the point of departure was not 'Music Theory'' as such, but the interaction between music theory, music history, performance practice, aesthetics, and related sciences. This multidisciplinary approach, with the accent on the interplay between music performance and music theory, is reflected in the contributions to this book. Thomas Christensen, in his contribution, shows how the development of tonal. | ||
| 588 | |a Description based on print version record. | ||
| 650 | 7 | |a Performance practice (Music) |2 fast |0 (OCoLC)fst01057874 | |
| 650 | 7 | |a Musical accompaniment. |2 fast |0 (OCoLC)fst01030695 | |
| 650 | 7 | |a Counterpoint. |2 fast |0 (OCoLC)fst00881333 | |
| 650 | 7 | |a Continuo. |2 fast |0 (OCoLC)fst00876756 | |
| 650 | 7 | |a Composition (Music) |2 fast |0 (OCoLC)fst00871761 | |
| 650 | 7 | |a MUSIC |x Instruction & Study |x Theory. |2 bisacsh | |
| 650 | 6 | |a Theorie musicale |x Composition |x Histoire et critique. | |
| 650 | 6 | |a Accompagnement (Musique) | |
| 650 | 6 | |a Contrepoint. | |
| 650 | 6 | |a Pratique de l'execution (Musique) | |
| 650 | 6 | |a Composition (Musique) | |
| 650 | 6 | |a Basse continue. | |
| 650 | 0 | |a Music theory |x Composition |x History and criticism. | |
| 650 | 0 | |a Musical accompaniment. | |
| 650 | 0 | |a Counterpoint. | |
| 650 | 0 | |a Performance practice (Music) | |
| 650 | 0 | |a Composition (Music) | |
| 650 | 0 | |a Continuo. | |
| 655 | 7 | |a Criticism, interpretation, etc. |2 fast |0 (OCoLC)fst01411635 | |
| 655 | 7 | |a Electronic books. |2 local | |
| 700 | 1 | |a Snyers, Kathleen. | |
| 700 | 1 | |a Moelants, Dirk, |d 1946- | |
| 700 | 1 | |a Christensen, Thomas Street. | |
| 710 | 2 | |a Project Muse. |e distributor | |
| 830 | 0 | |a Book collections on Project MUSE. | |
| 856 | 4 | 0 | |z Texto completo |u https://projectmuse.uam.elogim.com/book/29093/ |
| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Supplement III | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Supplement III | ||