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A Poetics for Screenwriters /
This is a brilliant, all-encompassing work. I cannot recall a book on screenwriting which delves so deeply into the art and antecedents of screenwriting. Aristotle himself would, no doubt, congratulate Lance Lee. However, without waiting for the great Greek's response, put me down as 'Brav...
| Clasificación: | Libro Electrónico |
|---|---|
| Autor principal: | |
| Autor Corporativo: | |
| Formato: | Electrónico eBook |
| Idioma: | Inglés |
| Publicado: |
Austin, Tex. :
University of Texas Press,
2001
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| Edición: | 1st ed. |
| Colección: | Book collections on Project MUSE.
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| Temas: | |
| Acceso en línea: | Texto completo |
MARC
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| 100 | 1 | |a Lee, Lance, |d 1942- | |
| 245 | 1 | 2 | |a A Poetics for Screenwriters / |c Lance Lee. |
| 250 | |a 1st ed. | ||
| 264 | 1 | |a Austin, Tex. : |b University of Texas Press, |c 2001 | |
| 264 | 3 | |a Baltimore, Md. : |b Project MUSE, |c 2012 | |
| 264 | 4 | |c ©2001 | |
| 300 | |a 1 online resource (157 pages): |b digital file. | ||
| 336 | |a text |b txt |2 rdacontent | ||
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| 500 | |a Issued as part of book collections on Project MUSE. | ||
| 504 | |a Includes bibliographical references (p. 133-136). | ||
| 505 | 0 | |a I. Context -- II. Primary plot elements -- III. Dramatic reality -- IV. Storytelling stance and plot types -- V. Character -- VI. Mind in drama -- VII. Spectacle and other elements -- VIII. Developing and filming the story -- Notes -- Screenplay author list. | |
| 506 | |a Access restricted to authorized users and institutions. | ||
| 520 | |a This is a brilliant, all-encompassing work. I cannot recall a book on screenwriting which delves so deeply into the art and antecedents of screenwriting. Aristotle himself would, no doubt, congratulate Lance Lee. However, without waiting for the great Greek's response, put me down as 'Bravo!' --William Froug, author of Screenwriting Tricks of the Trade and Zen and the Art of Screenwriting Writing successful screenplays that capture the public imagination and richly reward the screenwriter requires more than simply following the formulas prescribed by the dozens of screenwriting manuals currently in print. Learning the "how-tos" is important, but understanding the dramatic elements that make up a good screenplay is equally crucial for writing a memorable movie. In A Poetics for Screenwriters, veteran writer and teacher Lance Lee offers aspiring and professional screenwriters a thorough overview of all the dramatic elements of screenplays, unbiased toward any particular screenwriting method. Lee explores each aspect of screenwriting in detail. He covers primary plot elements, dramatic reality, storytelling stance and plot types, character, mind in drama, spectacle and other elements, and developing and filming the story. Relevant examples from dozens of American and foreign films, including Rear Window, Blue, Witness, The Usual Suspects, Virgin Spring, Fanny and Alexander, The Godfather, and On the Waterfront, as well as from dramas ranging from the Greek tragedies to the plays of Shakespeare and Ibsen, illustrate all of his points. This new overview of the dramatic art provides a highly useful update for all students and professionals who have tried to adapt the principles of Aristotle's Poetics to the needs of modern screenwriting. By explaining "why" good screenplays work, this book is the indispensable companion for all the "how-to" guides. | ||
| 588 | |a Description based on print version record. | ||
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| 945 | |a Project MUSE - Custom Collection | ||
| 945 | |a Project MUSE - Archive Complete Foundation | ||
| 945 | |a Project MUSE - Archive Film, Theater and Performing Arts Foundation | ||