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140716r20142013ke o 00 0 eng d |
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|a 9789966028471
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|z 9789966028440
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|a (OCoLC)899262378
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|a ML3503.K46
|b M357 2013
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|a 781.62/9639540676209049
|2 23
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|a Maina Wa Mũtonya,
|e author.
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|a The Politics of Everyday Life in Gikuyu Popular Musice of Kenya 1990-2000 /
|c Maina wa Mũtonya.
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|a Baltimore, Maryland :
|b Project Muse,
|c 2014
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2014
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|a 1 online resource (186 pages).
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a Issued as part of book collections on Project MUSE.
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|a Includes bibliographical references (pages 155-172).
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|a Dedication -- About the Author -- Acknowledgements -- Preface -- Introduction -- The Politics of Everyday Life in Select Gĩkũyũ Popular Music (1990-2000) -- Praise and Protest: Music and Contesting Patriotisms in Postcolonial Kenya -- Joseph Kamaro's Music: Cutting with Words, not Swords -- 'Touch What You Don't Have': Mogithi, One-Man Guitar and Urban Identities -- Mogithi Performance: Popular Music, Stereotypes and Ethnic Identity -- Music and Society: The Consummate Marriage -- Post script : Jane Nyambura (Queen Jane) 1965-2010 -- Bibliography.
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|a Access restricted to authorized users and institutions.
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|a While probing the politics of everyday in Gikuyu popular music, the main thrust of this book is to unpack the representation of daily struggles through music. Depending mainly on the lyrics of the songs, the study also combines both the textual and the contextual analysis of the music. Music here is studied both as a text, and as an aspect of popular culture. The decade 1990-2000 in Kenya provides two contrasting political developments, which directly impacted on the ordinary Kenyan; firstly, the extremes of the country's one-party rule were at the peak until when multi-party democracy was re-introduced. This ushered in a new era, but with antecedents in one-party rule, where service delivery was below par and economic mismanagement, corruption, assassinations and detentions continued unabated. It is in this contrasting environment that popular arts proliferated as a way of countering the repressed freedom of expression. This book, therefore, looks at how the Gikuyu musicians reacted and responded to these social and political realities in their songs. Music is discussed as an essential site for creation, re-creation and negotiation of the various forms of identities.
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|a Description based on print version record.
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|a Kikuyu (African people)
|x Social life and customs.
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|a Popular music
|x Political aspects
|z Kenya.
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|a Popular music
|z Kenya
|y 1991-2000.
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|a Kikuyu (African people)
|x Music
|x History and criticism.
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|a Electronic books.
|2 local
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|a Project Muse,
|e distributor.
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|i Print version:
|z 9789966028440
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/28750/
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945 |
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|a Project MUSE - Custom Collection
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945 |
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|a Project MUSE - 2013 Complete Supplement II
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945 |
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|a Project MUSE - 2013 Global Cultural Studies Supplement
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945 |
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|a Project MUSE - 2013 African Studies Supplement
|