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World Politics on Screen : Understanding International Relations through Popular Culture /

Increasingly resistant to lessons on international politics, society often turns to television and film to engage the subject. Numerous movies made in the twentieth and twenty-first centuries reflect political themes that were of concern within the popular cultures of their times. For example, Norma...

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Detalles Bibliográficos
Autor principal: Sachleben, Mark, 1965- (Autor)
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Lexington : The University Press of Kentucky, 2014.
Colección:Book collections on Project MUSE.
Temas:
Acceso en línea:Texto completo

MARC

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100 1 |a Sachleben, Mark,  |d 1965-  |e author. 
245 1 0 |a World Politics on Screen :   |b Understanding International Relations through Popular Culture /   |c Mark Sachleben. 
264 1 |a Lexington :  |b The University Press of Kentucky,  |c 2014. 
264 3 |a Baltimore, Md. :  |b Project MUSE,   |c 2014 
264 4 |c ©2014. 
300 |a 1 online resource (244 pages). 
336 |a text  |b txt  |2 rdacontent 
337 |a computer  |b c  |2 rdamedia 
338 |a online resource  |b cr  |2 rdacarrier 
505 0 |a The Modern World and Those Who Try to Explain It -- A Primer on IR (International Relations) Perspectives -- War Is Sometimes Unavoidable -- The Case against War -- A Primer on Nuclear Weapons -- The War to End Humanity? -- Intrigue, Espionage, and Nuclear Secrets -- Is International Cooperation Possible? -- Iranian Cinema -- Patterns of Consumption and Poverty -- Human Migration -- A Primer on Human Rights -- Human Rights and Modern World Politics. 
520 |a Increasingly resistant to lessons on international politics, society often turns to television and film to engage the subject. Numerous movies made in the twentieth and twenty-first centuries reflect political themes that were of concern within the popular cultures of their times. For example, Norman Jewison's The Russians Are Coming! The Russians Are Coming! (1966) portrays the culture of suspicion between the United States and the Soviet Union during the Cold War, while several of Alfred Hitchcock's movies as well as the John Wayne film Big Jim McLain (1952) and John Milius's Red Dawn (1984). 
588 |a Description based on print version record. 
650 7 |a Populärkultur.  |2 sfit 
650 7 |a Politik och film.  |2 sfit 
650 7 |a Film  |x historia.  |2 sao 
650 7 |a Internationella relationer i filmen.  |2 sao 
650 7 |a Massenkultur  |2 gnd 
650 7 |a Film  |2 gnd 
650 7 |a Veranschaulichung  |2 gnd 
650 7 |a Internationale Politik  |2 gnd 
650 7 |a International relations on television.  |2 fast  |0 (OCoLC)fst01738222 
650 7 |a International relations in motion pictures.  |2 fast  |0 (OCoLC)fst00977107 
650 7 |a PERFORMING ARTS  |x Television  |x History & Criticism.  |2 bisacsh 
650 7 |a PERFORMING ARTS  |x Reference.  |2 bisacsh 
650 6 |a Relations internationales à la television. 
650 6 |a Relations internationales au cinema. 
650 0 |a International relations on television. 
650 0 |a International relations in motion pictures. 
655 7 |a Electronic books.   |2 local 
710 2 |a Project Muse.  |e distributor 
830 0 |a Book collections on Project MUSE. 
856 4 0 |z Texto completo  |u https://projectmuse.uam.elogim.com/book/28507/ 
945 |a Project MUSE - Custom Collection 
945 |a Project MUSE - 2014 Film, Theater and Performing Arts 
945 |a Project MUSE - 2014 Complete