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030820s2004 ohu o 00 0 eng d |
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|a 9780814273241
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|z 0814273246
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|z 9780814209455
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|z 0814209459
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|a (OCoLC)899262164
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|a MdBmJHUP
|c MdBmJHUP
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|a Butte, George,
|d 1947-
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|a I Know That You Know That I Know :
|b Narrating Subjects from Moll Flanders to Marnie /
|c George Butte.
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|a Columbus :
|b Ohio State University Press,
|c 2004.
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|a Baltimore, Md. :
|b Project MUSE,
|c 2015
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|c ©2004.
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|a 1 online resource (270 pages):
|b illustrations
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|a text
|b txt
|2 rdacontent
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|a computer
|b c
|2 rdamedia
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|a online resource
|b cr
|2 rdacarrier
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|a The theory and interpretation of narrative series
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|a Theory. Starting over: intersubjectivity and narrative -- Representing deep intersubjectivity: narrative practices. Case studies: deep intersubjectivity and genre. Comedy, film and film comedy -- Deep intersubjectivity and the subversion of comedy -- Deep intersubjectivity and masquerade.
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|a Open Access
|f Unrestricted online access
|2 star
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|a "In I Know That You Know That I Know, Butte explores how stories narrate human consciousness. Butte locates a historical shift in the representation of webs of consciousnesses in narrative - what he calls "deep intersubjectivity"--And examines the effect that shift has since had on Western literature and culture. The author studies narrative practices in two ways: one pairing eighteenth- and nineteenth-century British novels (Moll Flanders and Great Expectations, for example), and the other studying genre practices - comedy, anti-comedy and masquerade - in written and film narrative (Jane Austen and His Girl Friday, for example, and Hitchcock's Cary Grant films)."--Jacket.
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|a Description based on print version record.
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650 |
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|a LITERARY CRITICISM / General
|2 bisacsh
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650 |
0 |
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|a Film.
|2 swd
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650 |
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7 |
|a Erzähltechnik
|2 gnd
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650 |
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7 |
|a Bewusstsein
|g Motiv
|2 gnd
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650 |
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7 |
|a Literatur
|2 gnd
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650 |
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|a Intersubjectivite.
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650 |
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|a Narration.
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650 |
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|a Cinema
|x Histoire.
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650 |
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|a Conscience dans la litterature.
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650 |
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|a Intersubjectivite dans la litterature.
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650 |
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|a Roman psychologique americain
|x Histoire et critique.
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650 |
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6 |
|a Roman psychologique anglais
|x Histoire et critique.
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650 |
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7 |
|a Psychological fiction, English.
|2 fast
|0 (OCoLC)fst01081356
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650 |
|
7 |
|a Psychological fiction, American.
|2 fast
|0 (OCoLC)fst01081348
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650 |
|
7 |
|a Narration (Rhetoric)
|2 fast
|0 (OCoLC)fst01032927
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650 |
|
7 |
|a Motion pictures.
|2 fast
|0 (OCoLC)fst01027285
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650 |
|
7 |
|a Intersubjectivity in literature.
|2 fast
|0 (OCoLC)fst00977561
|
650 |
|
7 |
|a Intersubjectivity.
|2 fast
|0 (OCoLC)fst00977556
|
650 |
|
7 |
|a Consciousness in literature.
|2 fast
|0 (OCoLC)fst00875457
|
650 |
|
0 |
|a Psychological fiction, English
|x History and criticism.
|
650 |
|
0 |
|a Psychological fiction, American
|x History and criticism.
|
650 |
|
0 |
|a Intersubjectivity in literature.
|
650 |
|
0 |
|a Consciousness in literature.
|
650 |
|
0 |
|a Motion pictures
|x History.
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650 |
|
0 |
|a Narration (Rhetoric)
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650 |
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0 |
|a Intersubjectivity.
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651 |
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7 |
|a USA.
|2 swd
|
651 |
|
7 |
|a Englisch.
|2 swd
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655 |
|
7 |
|a History.
|2 fast
|0 (OCoLC)fst01411628
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655 |
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7 |
|a Criticism, interpretation, etc.
|2 fast
|0 (OCoLC)fst01411635
|
655 |
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|a Electronic books.
|2 local
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710 |
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|a Project Muse.
|e distributor
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|a Book collections on Project MUSE.
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|z Texto completo
|u https://projectmuse.uam.elogim.com/book/28369/
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945 |
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|a Project MUSE - Archive Complete Supplement III
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945 |
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|a Project MUSE - Archive Literature Supplement III
|