Cross-Cultural Visions in African American Modernism : From Spatial Narrative to Jazz Haiku /

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Detalles Bibliográficos
Autor principal: Hakutani, Yoshinobu, 1935-
Formato: Electrónico eBook
Idioma:Inglés
Publicado: Columbus : Ohio State University Press, 2006.
Colección:Book collections on Project MUSE.
Temas:
Modernism (Literature)
Influence (Literary, artistic, etc.)
American literature > African American authors.
African Americans > Intellectual life.
LITERARY CRITICISM > American > General.
Modernisme (Litterature) > États-Unis.
Noirs americains > Vie intellectuelle > 20e siecle.
Influence litteraire, artistique, etc. > Histoire > 20e siecle.
Litterature americaine > Influence etrangere.
Modernism (Literature) > United States.
African Americans > Intellectual life > 20th century.
Influence (Literary, artistic, etc.) > History > 20th century.
American literature > Foreign influences.
American literature > African American authors > History and criticism.
United States.
History.
Criticism, interpretation, etc.
Electronic books.
Acceso en línea:Texto completo
Tabla de Contenidos:
  • The Chicago Renaissance, Theodore Dreiser, and Richard Wright's spatial narrative
  • The cross-cultural vision of Ralph Ellison's Invisible man
  • No name in the street : James Baldwin's exploration of American urban culture
  • If Beale Street could talk : Baldwin's search for love and identity
  • Jazz and Toni Morrison's urban imagination of desire and subjectivity
  • Wright's The outsider and French existentialism
  • Pagan Spain : Wright's discourse on religion and culture
  • The African "primal outlook upon life" : Wright and Morrison
  • The poetics of nature : Wright's haiku, Zen, and Lacan
  • Private voice and Buddhist enlightenment in Alice Walker's The color purple
  • Cross-cultural poetics : Sonia Sanchez's Like the singing coming off the drums
  • James Emanuel's jazz haiku and African American individualism.

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